17.09.2014.

...mp3-320kbps CBR, scans, info...........................................................................................................Password:zinhof

ANGEL - Live Without A Net (1980) [Japan, 2010] & Anthology (1992)

Angel is a glam rock and heavy metal band from Washington, D.C., formed in the mid-70s by Punky Meadows and Mickie Jones. They were signed to Casablanca Records, and had the image of dressing in white. Angel was discovered by Kiss bass player Gene Simmons performing at a nightclub and was eventually signed to the same label as Kiss, Casablanca. Angel's image of dressing in all white was a deliberate contrast to Kiss, which wore black. Angel sported an androgynous image and elaborate stage sets. It was slammed by rock critics, and Frank Zappa ridiculed the all-male band’s female appearance in the song “Punky’s Whips.” Angel never achieved mass commercial success but acquired a following as a cult band.


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Live Without A Net is the first live album, sixth in total, by the rock band Angel. It would be the band's last album before breaking up in 1981. The band had hoped that their live album would bring them commercial success, like the album Alive! did for Kiss, but it didn't, leading to Angel's breakup a year later. The first CD issues cut out the audience in order to fit the entire album on one CD. All reissues since the 2000s have been released on two discs and contained the album's full content.

An Anthology is the second, and most extensive compilation album, eighth album in total, released by Casablanca Records for Angel in 1992. It covers songs from all their albums from 1975-1980.

Download:


ANGEL - Live Without A Net (1980) [Japan, 2010] @320
http://www9.zippyshare.com/v/7188257/file.html

ANGEL - An Anthology (1992) @320
http://www9.zippyshare.com/v/86825379/file.html

17.09.2014. u 14:47 • 0 CommentsPrintPermalink

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NEW BARBARIANS - Buried Alive - Live In Maryland (1979)

A year after Some Girls, Keith Richard and Ron Wood set out on a brief, ramshackle tour as the New Barbarians, supported by Stanley Clark on bass, Ian McLaughlin and Bobby Keys. This was brief but legendary, since it could be romanticized as the Stones' Id unhinged -- the two hardest partiers in the band, out on their own, rampaging and pillaging, drinking and dring, running wild. Apart from a single that was kind of released, but not really, there were no official recordings, but plenty of bootlegs circulated over the years, with no official release of the live material until 2006's Buried Alive: Live in Maryland appeared. This performance has circulated before, but never in such clear fidelity, or in such careful packaging, which is why this is worthwhile for those who already have the boots. But this is really for listeners (aka Stones fans) who have heard the legend of the New Barbarians, but not the band itself. And they'll find that the show may not quite be legendary, but it's sure a hell of a lot of fun. It's a little bit tighter than the band's reputation might sest -- Richard and Wood may be a little ragged, but they're anchored by the rest of the band, which doesn't give this the sense of being a careening, glorious mess. And if Wood actually sings more than Richard, there's also little question who the real star is: whenever Keef steps to the mic, he pushes Wood to the side, and the encores are almost all his. But leadership doesn't quite matter here, since this is at its core just a guy's night out -- that the guys are pros means this isn't as loose as the Replacements, but it also means that they're tight enough to pull off an entertaining show while still seeming a bit wild. It's not quite a lost classic, then, but it's surely a great time and it's hard to imagine anybody who wants to hear this being disappointed by this two-disc set. - allmusic.com

DISC 1:
01. Sweet Little Rock & Roller 02. Buried Alive 03. F.U.C. Her 04. Mystifies Me 05. Infekshun 06. Rock Me Baby 07. Sure The One You Need 08. Lost & Lonely 09. Love In Vain 10. Breathe On Me

DISC 2: 01. Let's Go Steady 02. Apartment # 9 03. Honky Tonk Women 04. Worried Life Blues 05. I Can Feel The Fire 06. Come To Realise 07. Am I Grooving You? 08. Seven Days 09. Before They Make Me Run 10. Jumpin' Jack Flash

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http://www9.zippyshare.com/v/16614721/file.html
http://www3.zippyshare.com/v/3887808/file.html

17.09.2014. u 14:43 • 0 CommentsPrintPermalink

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STATUS QUO - Under The Influence (1999)

Who would've thought that 35 years into their career, Status Quo would release their finest album long after the general public lost interest? Leaving Polygram, their major-label home for nearly all of their career, Quo (guitarists Francis Rossi and Rick Parfitt, bassist John "Rhino" Edwards, keyboardist Andy Bown, and drummer Jeff Rich) signed with Eagle Records in the U.K. and proceeded to record a new platter. What came out was an amazing collection of pop songs by one of England's top rock & roll bands. Though they've left their trademark boogie behind, Quo proved on this album that they could still rock out and write great songs. Rossi's vocals are still smooth and his and Parfitt's riffs are rich and plentiful, while Bown, Edwards, and Rich prove that they are more than hired sidemen. "Twenty Wild Horses" starts the album with a successful blend of rock smarts and folk riffs. "Under the Influence" and "Round and Round" are splendid blasts of melodic rock with a bit of boogie creeping back into the mix. "Shine On" is Parfitt's tale of his recent bypass surgery with a bluesy/folk backdrop. "Little White Lies" is Quo's most overtly pop track on the album and would've been a huge hit had it been on a major label. And so it goes on. There are plenty more gems to be found on this album, and the message will remain the same: This is the finest Quo album of their career and if you're interested in starting a Quo collection, you should start here!

TRACKS:
01. Twenty Wild Horses 02. Under The Influence 03. Round And Round 04. Shine On 05. Little White Lies 06. Keep 'em Coming 07. Little Me And You 08. Making Waves 09. Blessed Are The Meek 10. Roll The Dice 11. Not Fade Away 12. The Way It Goes

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http://www3.zippyshare.com/v/40011529/file.html

17.09.2014. u 14:40 • 0 CommentsPrintPermalink

16.09.2014.

...mp3-320kbps CBR, scans, info...........................................................................................................Password:zinhof
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PHILIP SAYCE - Influence (2014)

Philip Sayce is a Welsh born guitarist, singer and songwriter from Canada. A strong follow-up to his 2012 effort, Influence kicks and screams on its way to the top of blues charts. The album features covers like Graham Nash’s “Better Days” and “Green Power,” a classic blues effort originally by Little Richard. Sayce’s playfully soulful vibe blends with high shrieks and improvised interludes to create “Out Of My Mind.” A crescendo of guitar and percussion build to a wavering distortion of sound on “I’m Going Home,” originally composed by The Sonics. No surprise by that description. Throughout the album, Sayce takes a powerful riff and pairs it with a worthy counterpart, his chops. Each fighting for their share of the spotlight, the song bounces between the two, until it all falls together. Credit must be given to Sayce’s drummer, who stays on par with the intensity of every song. Miles Miller channels Mitch Mitchell on “Out Of My Mind,” an offbeat bluesy style signature of the Hendrix Experience. Chris Powell holds his own on the rest.

TRACKS:
01. Tom Devil (Feat. Ed Lewis & Prisoners) 02. Out Of My Mind 03. Sailin' Shoes 04. I'm Going Home 05. Fade Into You 06. Blues Ain't Nothing But A Good Woman On Your Mind 07. Green Power 08. Better Days 09. East Ont The Eyes 10. Evil Woman 11. Triumph 12. Light Em Up 13. Peace In The Valley (Feat. Joe Savage)

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http://www62.zippyshare.com/v/72505649/file.html

16.09.2014. u 10:32 • 0 CommentsPrintPermalink

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DANNY BRYANT - Temperature Rising (2014)

Danny Bryant is an English blues guitarist and singer-songwriter. At the age of 15 he began playing the guitar and became a professional guitar player at the age of 18. Since then he has appeared on bills alongside a number of notable artists such as Buddy Guy, Carlos Santana, Joe Cocker and Mick Taylor.

Temperature Rising is certainly Danny’s most complete and fully rounded album to-date. Across the nine original tracks at an economic 42 minutes the album displays many shades from the densely coloured full on Blues Rock numbers to the vibrant shades of Blues on the more traditional Blues cuts and finally delicate pastel shades on the ballads. This album is the sum of its parts and rather than have one or two absolute standout tracks, each one of the nine deserves your equal attention. As ever Bryant’s playing is immaculate throughout and he has certainly developed a more rounded vocal. Ostensibly a power trio, there are consistently impressive contributions from Trevor Barr on drums and Alex Phillips on bass.

TRACKS:
01. Best Of Me 02. Take Me Higher 03. Nothing At All 04. Together Through Life 05. Razor Sharp 06. Temperature Rising 07. Time 08. Mystery 09. Guntown

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http://www60.zippyshare.com/v/60199138/file.html

16.09.2014. u 10:29 • 0 CommentsPrintPermalink

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FREE - Tons Of Sobs (1969) [Japan, 2014]

Free was an English rock band formed in London in 1968 best known for their 1970 signature song "All Right Now". They disbanded in 1973 and lead singer Paul Rodgers went on to become a frontman of the band Bad Company along with Simon Kirke on drums. By the early 1970s, Free was one of the biggest-selling British blues-rock groups; by the time the band dissolved in 1973, they had sold more than 20 million albums around the world and had played more than 700 arena and festival concerts.

Stevens’ production rightly kept everything minimalistic, allowing the expansive talents of the individuals here to shine through. Rodgers’ voice was already becoming a major part of the live scene in the UK, complemented by Paul Kossoff’s powerful yet evocative guitar playing. The fact that eight of these songs were originals was in stark contrast to, say, the Rolling Stones’ debut album a few years earlier. But it underlined that this young band were able to be self-contained, but were fully aware both of the scope they had in which to operate and also an affinity to the best way to combine the roots of their influences with the commercial needs of the time.

TRACKS:
01. Over the Green Hills (Pt. 1) 02. Worry 03. Walk in My Shadow 04. Wild Indian Woman 05. Goin' Down Slow 06. I'm a Mover 07. The Hunter 08. Moonshine 09. Sweet Tooth 10. Over the Green Hills (Pt. 2) - Bonus tracks: 11. Moonshine (Alternate Vocal) 12. Sweet Tooth (Early Take & Alternative Lyrics) 13 Woman By The Sea (Alternative Version)

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http://www62.zippyshare.com/v/24991078/file.html

16.09.2014. u 10:18 • 0 CommentsPrintPermalink

15.09.2014.

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JOHN KONGOS - Tokoloshe Man Plus (1988) thumbup

Before scoring a handful of minor hits in the U.K. in the late '60s and early '70s, John Kongos had been the leader behind Johnny Kongos & the G-Men, a prolific beat group from Johannesburg, South Africa that frequently appeared on that country's charts during the first half of the '60s. In 1966, Kongos and a number of his associates relocated to London and cut a 1967 single as Floribunda Rose for Piccadilly. Floribunda Rose eventually morphed into Scr, a psychedelic pop band that released a trio of singles for Pye prior to their 1969 breakup. "I Wish I Was Five," a 1968 B-side, gained the most attention. Upon Scr's split, Kongos went solo and released a handful of records, including the albums Confusions About a Goldfish, John Kongos, and Tokoloshe Man. The 1971 single "He's Gonna Step on You Again" registered on the charts in the U.K. and the U.S. Sporadic reissues of Kongos' work appeared during the '90s, and in 2002, Castle released Lavender Popcorn: 1966-1969, which combined Scr and Floribunda Rose material (both familiar and previously unreleased) with Confusions About a Goldfish. - allmusic.com

TRACKS:
01. Tokoloshe Man 02. Jubilee Cloud 03. Gold 04. Lift Me From The Ground 05. Tomorrow I'll Go 06. Can Someone Please Direct Me Back To Earth 07. Try To Touch Just One 08. Weekend Lady 09. I Would Have Had A Good Time 10. Come On Down Jesus 11. Sometimes It's Not Enough 12. He's Gonna Step On You Again 13. Great White Lady 14. Higher Than God's Hat 15. Ride The Lightning

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http://www55.zippyshare.com/v/96009011/file.html

15.09.2014. u 14:26 • 1 CommentsPrintPermalink

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QUEEN - Live At The Rainbow '74 (2014)

Previously unreleased first live album finally surfaces after 40 year wait. Sunday 31st March 1974 is a landmark date in the history of rock music. It is now celebrated in the multi format release of a rare recording made at legendary London venue The Rainbow, of a concert by a then up-and-coming band called Queen. Few who turned up for that iconic performance could have predicted they would go on to become arguably the world’s best and most successful rock group, although many more may have suspected it after this stunning show. That concert, being heard live for the first time in the soon to be released Queen: Live at the Rainbow ’74, marked the culmination of the band’s countrywide tour, their first as headliners - hot on the heels of a tour supporting Mott the Hoople, late in 1973, on which they were widely regarded as having blown the hit band off the stage. Queen got rave reviews, almost unheard of for a support band, and it was obvious that in future they would be top of the bill. The band’s momentum had been building since the release of their eponymous album in July 1973 and, following their success on the Mott tour, at the beginning of 1974 they were tipped as Band of the Year in UK music paper Disc and Music Echo.

The live album was originally set to be released as the band’s third LP, but was later shelved in favor of new studio recordings. Now, 40 years later, a recording of the March ’74 performance, along with a second show at the Rainbow from November of that year, will finally be available in a variety of configurations, including double-disc CD, double vinyl, and as a super deluxe box set featuring a DVD, 60-page hardback book, and more.


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http://www44.zippyshare.com/v/19906256/file.html

15.09.2014. u 11:40 • 0 CommentsPrintPermalink

12.09.2014.

...mp3-320kbps CBR, scans, info...........................................................................................................Password:zinhof
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B.B.KING - Ladies & Gentlemen... Mr. B.B.King [10CD Box] (2012)
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B.B. King is one of America's few, long-standing musical treasures whose stature has grown to an unassailable, international level. Despite his 85 years, King continues to tour, perform and to grow in influence, casting a shadow that reaches far beyond the blues scene from whence he first came. His warm, down-home vocal style, his distinctive, talking blues guitar playing, and his songs that sing of love's joys and hardships Sweet Sixteen, How Blue Can You Get?, Help The Poor, The Thrill Is Gone and countless others are all indelibly imprinted elements in the modern musical heritage. Celebrating his 50th Anniversary signing to ABC-Paramount Records in 1962 we bring you this multi-format career retrospective. Leading the way with a slick 10 CD, 194 track collection chronicling his entire career from his first recordings in 1949 through to his most recent studio album.

Housed in a beautiful deluxe box including a 72-page, silver-gilded hardback book, featuring essays from Ashley Kahn and Dick Shurman. Also packed with glorious images and memorabilia, illustrating this incredible career. All lovingly assembled and with mastering supervised by Grammy® Award-winning consultants Bill Levenson and Andy McKaie.

KEY FEATURES:
- Two CDs chronicling his early years on Bullet, Modern/RPM and Kent/Crown Records
- Eight CDs chronicling his recording achievements on ABC-Paramount, ABC Bluesway, ABC, ABC/Impulse, MCA and Geffen Records, as well as high profile collaborations
- Highlights include key recordings from every ABC/MCA/Geffen era album
- Rare, non-album singles
- Rare album tracks
- Rare One Touch EP tracks
- Collaborations with Rolling Stones, Eric Clapton, U2,Elton John, Robert Cray, Etta James, Bonnie Raitt, Gary Moore, Bobby Blue Bland, and others.
- Packaging to feature career spanning photos and memorabilia, essays by noted authors Ashley Kahn and Dick Shurman, extensive recording credits

Disc 01: Three O'Clock Blues (1949-1956)
Disc 02: Rock Me Baby (1957-1962)
Disc 03: How Blue Can You Get? (1962-1966)
Disc 04: Why I Sing The Blues (1967-1969)
Disc 05: The Thrill Is Gone (1969-1971)
Disc 06: Lucille Talks Back (1971-1977)
Disc 07: When It All Comes Down (I'll Still Be Around) (1978-1983)
Disc 08: When Love Comes To Town (1985-1993)
Disc 09: Blues Man (1993-1999)
Disc 10: Key To The Highway (2000-2008)


Download:




Folder with scans, cover & info:
http://www67.zippyshare.com/v/51434226/file.html (scans)

________________________________________________

TRACKS:

DISC 01 - Three O'Clock Blues (1949-1956):
01 Miss Martha King
02 When Your Baby Packs Up And Goes
03 Got The Blues
04 Take A Swing With Me
05 B.B. Boogie
06 Don't You Want A Man Like Me
07 Fine Looking Woman
08 She's Dynamite
09 Three O'clock Blues
10 That Ain't The Way To Do It
11 You Know I Love You
12 Woke Up This Morning
13 Please Love Me
14 Blind Love
15 The Woman I Love
16 Whole Lotta' Love
17 Everyday I Have The Blues
18 Love You Baby (Aka Take A Swing With Me)
19 When My Heart Beats Like A Hammer
20 You Upset Me Baby
21 Sneakin' Around
22 Shut Your Mouth
23 Boogie Rock
24 Ten Long Years
25 Crying Won't Help You
26 Bad Luck
27 Troubles, Troubles, Troubles

DISC 02 - Rock Me Baby (1957-1962):
01 Sweet Little Angel
02 Early In The Morning
03 (I'm Gonna) Quit My Baby
04 On My Word Of Honor
05 Days Of Old
06 Recession Blues
07 Please Accept My Love
08 Everyday I Have The Blues
09 Precious Lord
10 Sweet Sixteen, Parts 1 & 2
11 Don't Get Around Much Anymore
12 I'll Survive
13 (I've) Got A Right To Love My Baby
14 It's My Own Fault
15 You Done Lost Your Good Thing Now
16 Walking Dr. Bill
17 Catfish Blues (Fishin' After Me)
18 Partin' Time
19 You're Breaking My Heart
20 Rock Me Baby
21 Blue Shadows
22 The Jungle
23 That Evil Child

DISC 03 - How Blue Can You Get (1962-1966):
01 You Ask Me
02 I'm Gonna Sit In 'til You Give In
03 Blues At Midnight
04 My Baby's Coming Home
05 Chains Of Love
06 Sneaking Around
07 Slowly Losing My Mind
08 How Blue Can You Get
09 Whole Lotta Lovin'
10 I Wonder Why
11 Please Accept My Love
12 Help The Poor
13 Never Trust A Woman
14 Worryin' Blues
15 Stop Leading Me On
16 Everyday I Have The Blues (Live)
17 Sweet Little Angel (Live)
18 It's My Own Fault (Live)
19 How Blue Can You Get (Live)
20 Please Love Me (Live)
21 Tired Of Your Jive
22 All Over Again
23 I'd Rather Drink Muddy Water
24 Cherry Red
25 You're Still A Square
26 Don't Answer The Door, Parts 1 & 2
27 Waitin' On You
28 Night Life

DISC 04 - Why I Sing The Blues (1967-1969):
01 Gambler's Blues (Live)
02 Buzz Me (Live)
03 Sweet Sixteen, Parts 1 & 2 (Live)
04 Think It Over
05 I Done Got Wise
06 Worried Dream
07 Paying The Cost To Be The Boss
08 I'm Gonna Do What They Do To Me
09 Dance With Me
10 Lucille
11 Watch Yourself
12 You Put It On Me
13 Messy But Good
14 Get Myself Somebody
15 My Mood (Live)
16 I Want You So Bad
17 Get Off My Back Woman
18 Why I Sing The Blues

DISC 05 - The Thrill Is Gone (1969-1971):
01 The Thrill Is Gone
02 Confessin' The Blues
03 So Excited
04 No Good
05 Go Underground
06 Nobody Loves Me But My Mother
07 Chains And Things
08 Ask Me No Questions
09 Hummingbird
10 Everyday I Have The Blues
11 How Blue Can You Get (Live)
12 Worry, Worry (Live)
13 Sweet Sixteen (Live)
14 Eyesight To The Blind (Live)
15 Niji Baby (Live)
16 The Thrill Is Gone (Live)

DISC 06 - Lucille Talks Back (1971-1977):
01 I Got Some Help I Don't Need
02 Blue Shadows
03 Ghetto Woman
04 Ain't Nobody Home
05 Guess Who
06 Five Long Years
07 I Like To Live The Love
08 To Know You Is To Love You
09 Philadelphia
10 3 O'clock Blues (Live)
11 Lucille Talks Back
12 Reconsider Baby
13 Don't Make Me Pay For His Mistakes
14 Let The Good Times Roll (Live)
15 Don't You Lie To Me
16 Mother Fuyer
17 The Same Love That Made Me Laugh

DISC 07 - When It All Comes Down (1978-1983):
01 When It All Comes Down (I'll Still Be Around)
02 Hold On (I Feel Our Love Is Changing)
03 Never Make Your Move Too Soon
04 Better Not Look Down
05 Happy Birthday Blues
06 I've Always Been Lonely
07 Caldonia (Live)
08 I Got Some Help I Don't Need (Live)
09 Life Ain't Nothing But A Party
10 The Victim
11 There Must Be A Better World Somewhere
12 Nightlife Please Send Me Somebody To Love
13 Inflation Blues
14 Sell My Monkey
15 Darlin' You Know I Love You
16 Make Love To Me

DISC 08 - When Love Comes To Town (1985-1993):
01 Into The Night
02 Six Silver Strings
03 When Love Comes To Town (Featuring U2)
04 Standing On The Edge Of Love
05 Lay Another Log On The Fire
06 Take Off Your Shoes
07 Nobody Love Me But My Mother (Live)
08 Right Place, Wrong Time
09 All Over Again (Live)
10 I'm Moving On
11 Back In L.A.
12 Fool Me Once
13 There Is Always One More Time
14 Monday Morning Blues (Blues For Mr. G)
15 Since I Met You Baby (Live)

DISC 09 - Blues Man (1993-1999):
01 Playin' With My Friends
02 There's Something On Your Mind
03 I Gotta Move Out Of This Neighbourhood Nobody Loves Me But My Mother
04 You Don't Know Me
05 Stormy Monday Blues
06 Rock Me Baby (Live)
07 Confessin' The Blues
08 Paying The Cost To Be The Boss
09 Blues Man
10 Bad Case Of Love
11 Blues Boys Tune
12 I'll Survive
13 Ain't Nobody Here But Us Chickens
14 I'm Gonna Move To The Outskirts Of Town
15 Ain't That Just Like A Woman
16 Caldonia

DISC 10 - Key To The Highway (2000-2008):
01 Ten Long Years (With Eric Clapton)
02 Key To The Highway (With Eric Clapton)
03 I Got To Leave This Woman
04 Monday Woman
05 Don't Go No Farther
06 You're On Top
07 Back Door Santa
08 Exactly Like You
09 Sinner's Prayer (With Ray Charles)
10 Early In The Morning (With Van Morrison)
11 Rock This House (With Elton John)
12 You Have A Way
13 Everybody Loves You
14 Key To The Highway (Live)
15 Midnight Blues
16 Get These Blues Off Me
17 See That My Grave Is Kept Clean
18 Waiting For Your Call
19 Haunted House

12.09.2014. u 11:23 • 7 CommentsPrintPermalink

...mp3-320kbps CBR, scans, info...........................................................................................................Password:zinhof

BUFFALO - Discography (1972 - 1977)

Buffalo were an Australian rock band formed in August 1971 by founding mainstay Dave Tice on lead vocals (ex-Head). Fellow founders, also from Head, were Paul Balbi on drums, John Baxter on guitar, and Peter Wells on bass guitar; together with Alan Milano on lead vocals (ex-Mandala). Milano left after their debut album, Dead Forever... (June 1972), and Balbi was replaced on drums by Jimmy Economou. Their next two albums, Volcanic Rock (July 1973) and Only Want You For Your Body (June 1974), were also issued by Vertigo Records. After 1975 line-up changes resulted in a more commercial sound and the group disbanded in March 1977.


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Australian musicologist, Ian McFarlane, noted that there was "nothing subtle about Buffalo's primal, heavyweight sound, but it was delivered with a great deal of conviction ... combining the dense, occult riffing ... with the progressive blues chops ... the band certainly captured the arrogant disposition of the times in a bold and thunderous fashion". Alongside Billy Thorpe & The Aztecs and Blackfeather, Buffalo pioneered Australia's heavy metal, pub rock and alternative rock movements. Peter Wells died on 27 March 2006, aged 58.

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BUFFALO - Dead Forever (1972) @320


BUFFALO - Volcanic Rock (1973) @320


BUFFALO - Only Want You For Your Body (1974) @320


BUFFALO - Mother's Choice (1976) @320


BUFFALO - Average Rock'n'Roller (1977) @320

12.09.2014. u 11:17 • 2 CommentsPrintPermalink

10.09.2014.

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BOB DYLAN, RON WOOD & KEITH RICHARDS - Voices Of Freedom (2001)

Bob Dylan's brief set at July 13, 1985's all-star famine relief event Live Aid proved one of the day's most controversial moments. Declaring "It would be nice if some of this money went to the American farmers," Dylan and backing guitarists Keith Richards and Ron Wood delivered a half-hearted, unconvincing acoustic performance that failed to translate the spirit or the energy of the moment in question. The bootleg release Voices of Freedom comprises all of Dylan's three-song Live Aid set as well as a dozen rehearsal tunes cut in Wood's apartment a few days prior to the concert. It's the behind-the-scenes material that's most fascinating, as the three legends banter and bash their way through ragged renditions of "Blowin' in the Wind," "Ballad of Hollis Brown," and "When the Ship Comes In." If you've ever wished to eavesdrop on a conversation between Bob Dylan and Keith Richards, Voices of Freedom is the disc for you. Otherwise, leave this one to the completists.


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10.09.2014. u 14:48 • 0 CommentsPrintPermalink

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THE FIRST BARBARIANS - Live From Kilburn (2007)

Live from Kilburn, the second in what may be an ongoing series of archival releases from Ron Wood's vaults, is rawer and rougher than the first, Buried Alive: Live in Maryland. Essentially, this is an official bootleg - containing a CD and a DVD of the entire show - of the first solo concert Woody played in support of his first album, 1974's I've Got My Own Album to Do. When Ronnie took to the stage he was supported by his new Stones bandmate Keith Richards, his old bandmate keyboardist Ian McLagan, bassist Willie Weeks, and drummer Andy Newmark - in other words, this is not the New Barbarians of the late '70s, but close enough that it's cleverly billed as the First Barbarians on this release. There's no getting around that the recording is as rough (it sounds just barely restored) as the performances, but keeping that in mind, Live from Kilburn is still a hell of a good time: high-spirited, boozy rock & roll whose party spirit is only enhanced by the appearance of Rod Stewart on a couple of tracks (including a very good "Take a Look at the Guy"). The raw, ragged nature of this recording makes this the exclusive province of the dedicated -- this is so messy that there may be some serious fans who will be more satisfied with Buried Alive, which is a tighter concert all around - but the truly dedicated will still surely have a good time with this, warts 'n' all.

TRACKS:
01. Intro 02. Am I Grooving You 03. Cancel Everything 04. Mystifies Me 05. Take A Look At The Guy 06. Act Together 07. Shirley 08. Forever 09. Sure The One You Need 10. I Can't Stand The Rain 11. Crotch Music 12. I Can Feel The Fire

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10.09.2014. u 14:05 • 1 CommentsPrintPermalink

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U2 - Songs of Innocence (2014)

U2 surprised the world by releasing Songs of Innocence, their first album in five years, as a gift from Apple, available for free immediately to anyone with iTunes. The band made the announcement with Apple CEO Tim Cook at a Cupertino press conference for the new iPhone 6, capping the event with a performance of the album's first single, "The Miracle (of Joey Ramone)." After a standing ovation, Cook said, "Wasn't that the most incredible single you ever heard? We would love a whole album of that." "The question is now, how do we get it to as many people as possible, because that's what our band is all about," Bono said. "I do believe you have over half a billion subscribers to iTunes, so — could you get this to them?" "If we gave it away for free," Cook replied. And five seconds later, the album was unleashed in the largest album release of all time.

"We wanted to make a very personal album," Bono told Rolling Stone's Gus Wenner the day before the press conference in an exclusive interview. "Let's try to figure out why we wanted to be in a band, the relationships around the band, our friendships, our lovers, our family. The whole album is first journeys — first journeys geographically, spiritually, sexually. And that's hard. But we went there." The band worked on Innocence for two years with producer Danger Mouse (a.k.a. Brian Burton), then brought in additional help: Flood, their collaborator since 1987's The Joshua Tree, plus Adele producers Paul Epworth and Ryan Tedder. "I think having them around really helped," says Bono, "Some of the music out there now that people call pop, it's not pop – it's just truly great. And we wanted to have the discipline of the Beatles or the Stones in the Sixties, when you had real songs. There's nowhere to hide in them: clear thoughts, clear melodies."


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09.09.2014.

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FOCUS - At The Rainbow (1973) [Japan, 2001]

The instrumental rockers of the early '70s never were any good at dulling down their musical expertise; and, indeed, it's only a matter of seconds into their first and only live release - Live at the Rainbow -- until one realizes just how talented Focus were. Jan Akkerman, named "World's Best Guitarist" by Melody Maker in 1973 ahead of Eric Clapton and others, was amazingly on form in this performance. Thijs Van Leer, chief songwriter and performer in the band, showcased his talents on flute, vocals, and organ with unparalleled finesse. Bert Ruiter knocked out his basslines tight to Pierre Van Der Linden's drums, undoubtedly two of the finest players on their respective instruments. It would be so easy to go off on a tangent explaining the mastery that Focus had musically; suffice to say, however, the bands technical proficiency is rarely matched in the world of rock. Live at the Rainbow featured some of the band's best and most well known tracks: "Sylvia," "Hocus Pocus," "Focus II," and so on. Although much of the content sticks closely to its original studio form (12-minute tracks were regular on studio albums), with maybe an extra solo or two thrown in for good measure, a few songs host drastic changes. "Hocus Pocus," for example, is almost unrecognizable. This live version is multiple times faster than its studio counterpart - those familiar with only the studio version are certainly in for a shock! Throughout the album the performance is simply astonishing. Live at the Rainbow is a fine purchase for any Focus fan, or, indeed, anyone looking for a band with a good degree of originality and musical ability.

At the Rainbow is the first live album from the Dutch rock band Focus, released in 1973. The album was recorded at the Rainbow Theatre in London on 5 May 1973. A studio album was initially slated for release, but it was shelved due to disagreements within the band. (An album compiled from the tapes of these sessions was later released with the title Ship of Memories.) At the Rainbow was released instead.

TRACKS:
01. Focus III 02. Answers? Questions! Questions? Answers! 03. Focus II 04. Eruption: a) Orfeus b) Answer c) Orfeus d) Answer e) Pupilla f) Tommy g) Pupilla 05. Hocus Pocus 06. Sylvia 07. Hocus Pocus (reprise)

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08.09.2014.

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ROBERT PLANT & THE SENSATIONAL SPACE SHIFTERS - Lullaby and... The Ceaseless Roar (2014)

Midland rock giant Robert Plant returns with a new album – one he has described as “a celebratory record, powerful, gritty, African, trance meets Led Zeppelin”. And he’s certainly not afraid to explore the avenues of the past without retreading old ground, mixing and matching influences, marrying East and West, and then adding new twists.There’s much that will delight the faithful who have followed the 66-year-old West Bromwich sing er’s career through blues, rock and roll, country and world music, all of which are referenced. Lullaby And...The Ceaseless Roar finds him in the company of his Sensational Space Shifters, whose eclectic influences enable the band – and it feels very much a collaborative effort – to excel. Old pal Justin Adams brings bendirs, djembe, guitars and tehardant to the party; John Baggott adds keyboards, loops, moog bass, piano and tabal; Billy Fuller plays bass of all shapes. Jazz drummer Dave Smith brings busy beats, Liam ‘Skin’ Tyson plucks banjo and guitar, while newcomer Juldeh Camara adds the exotic influence of kologo, ritti and Fulani vocals.

TRACKS:
01. Little Maggie 02. Rainbow 03. Pocketful of Golden 04. Embrace Another Fall 05. Turn It Up 06. A Stolen Kiss 07. Somebody There 08. Poor Howard 09. House of Love 10. Up on the Hollow Hill (Understanding Arthur) 11. Arbaden (Maggie's Babby)

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PETER FRAMPTON - Best Of FCA!35 Tour: An Evening With Peter Frampton (2012) thumbupthumbupthumbupthumbupthumbup

In 2011, Grammy Award winning guitarist Peter Frampton embarked on a world tour celebrating the 35th anniversary of his multi-platinum selling live album Frampton Comes Alive!. Many of the concerts were recorded and for this triple CD release Peter Frampton has chosen what he feels are the best performances of each track. The set contains the classic Frampton Comes Alive! album performed in its entirety but also focuses on tracks from Peter Frampton's more recent albums such as Fingerprints, Now and Thank You Mr Churchill along with a nod to his past with the inclusion of the old Humble Pie track I Don't Need No Doctor. Peter Frampton remains one of rock's most iconic guitarists and these live performances catch him at his very best.

DISC 1:
01. Somethin's Happenin 02. Doobie Wah 03. Lines On My Face 04. Show Me The Way 05. It's A Plain Shame 06. Wind Of Change 07. Just The Time Of Year 08. Penny For Your Thoughts 09. All I Wanna Be (Is By Your Side) 10. Baby, I Love Your Way 11. (I Wanna) Go To The Sun 12. Nowhere's Too Far 13. (I'll Give You) Money

DISC 2: 01. Do You Feel Like I Do 02. Shine On 03. Jumpin Jack Flash 04. While My Guitar Gently Weeps

DISC 3: 01. Asleep At The Wheel 02. Restraint 03. Float 04. Boot It Up 05. Double Nickels 06. Vaudeville Nanna And The Banjolele 07. Suite Liberté 08. All I Wanna Be (Is By Your Side) 09. Road To The Sun 10. I Don't Need No Doctor 11. Black Hole Sun 12. Four Day Creep 13. Off The Hook

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07.09.2014.

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DR. HOOK - Making Love & Music: The 1976-1979 Recordings (1993)

Dr. Hook & the Medicine Show, shortened in 1975 to Dr. Hook, was an American rock band, formed around Union City, New Jersey. They enjoyed considerable commercial success in the 1970s with hit singles including "Sylvia's Mother", "The Cover of Rolling Stone", "Sharing the Night Together", "A Little Bit More" and "When You're in Love with a Beautiful Woman". In addition to their own material, Dr. Hook and the Medicine Show performed songs written by the poet Shel Silverstein. The band had eight years of regular chart hits, in both the U.S. and the UK, and greatest success with their later gentler material, as Dr. Hook. Dr Hook (and the Medicine Show) were quite diverse in their time, the masters of rock satire, accomplished dance-pop and beautiful ballads as well as rude and sestive ditties. Dr. Hook could do just about everything: pop, rock, dance, novelty tunes and more serious songs, typically with a rock/country sound that worked wonders for their music.

TRACKS:
01. When You're In Love With A Beautiful Woman 02. A Little Bit More 03. If Not You 04. Up On The Mountain 05. Bad Eye Bill 06. Who Dat 07. Let The Loose End Drag 08. I'm A Lamb 09. Making Love & Music 10. The Radio 11. Everybody Loves Me 12. Oh Jesse 13. Jungle To The Zoo 14. More Like The Movies 15. I Don't Feel Much Like Smilin' 16. Mountain Mary 17. Leviate 18. Dooley Jones 19. Sexy Energy 20. Love Monster

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LEGEND - Legend (Red Boot) (1971) [2005]

In some circles, Mickey Jupp is something of a minor legend, a roots rocker with excellent taste and a cutting wit, best heard on the songs "Switchboard Susan" and "You'll Never Get Me Up in One of Those," both covered by Nick Lowe. Basher's endorsement is a clear indication that Jupp is a pub rocker, a guy who specializes in laid-back good times, so it shouldn't come as a great surprise that his first band, Legend, was proto-pub, an unabashed celebration of old-time rock & roll, filled with three-chord Chuck Berry rockers and doo wop backing vocals. Nevertheless, listening to their 1970 LP is a bit of a shock, as it's completely disassociated with anything that was happening in 1970, even with Tony Visconti enlisted as their producer. Legend's sensibility is ahead of its time in its retro thinking, pointing the way to the rock & roll revival of the late '70s and not even that similar to the country-rock of Eggs Over Easy or Bees Make Honey, as this has little of the rustic feel of the Band: it's just straight-up oldies rock, a trait emphasized by those incessant doo wop harmonies that are on almost every cut on this LP (but do disappear on the bonus live cuts on the Repertoire reissue, possibly because they were too busy playing to harmonize). Those harmonies and the light, almost goofy, touch of Jupp's writing here distinguish Legend and also illustrate why they made no waves in 1970; it's hard to see the counterculture getting roused over the verse "If you were an apple you'd be/Good good eating/If you were a book you'd be/Good good reading." These slightly silly flourishes do have a lot in common with the wry humor of Nick Lowe, who at this time was denying this mischievous streak as he attempted to sound like Crosby, Stills & Nash, but at this point, Jupp was largely on his own doing this light, good-time pub rock. That may be why it sank without a trace at the time, but heard apart from its era, Legend is a minor delight, one of the first flowerings of the pub rock sensibility. - allmusic.com

TRACKS:
01. Cross Country 02. Cheque Book 03. Lorraine Part 1 04. Nothing Wrong With Me 05. Somebody In Love 06. Goin' To 07. Anything You Do 08. My Typewriter 09. Five Years 10. Hole In My Pocket 11. Lorraine Part 2 12. I Feel Like Sleeping 13. Life (Single A-Side) 14. Late Last Night (Single B-Side) 15. Don't You Never (Single A-Side) 16. Someday (Single B-Side)

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06.09.2014.

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KATE BUSH - The Kick Inside (1978) & Lionheart (1978) & Never For Ever (1980) & The Dreaming (1982) & Hounds Of Love (1985) & The Sensual World (1989)

Catherine "Kate" Bush is an English singer-songwriter, musician and record producer. She is known for her eclectic musical style and her idiosyncratic vocal performances. In 1978, at the age of 19, Bush topped the UK Singles Chart for four weeks with her debut single "Wuthering Heights", becoming the first woman to have a UK number one with a self-written song. She has since released ten albums, three of which topped the UK Albums Chart. She has had 25 UK Top 40 hit singles, including the Top 10 hits "Wuthering Heights", "The Man with the Child in His Eyes", "Babooshka", "Running Up That Hill" (as well as its 2012 remix), "Don't Give Up" (a duet with Peter Gabriel), and "King of the Mountain".

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In 1987, she won a Brit Award for Best British Female Solo Artist, and in 2002, her song writing ability was recognised with an Ivor Novello Award for Outstanding Contribution to British Music. During the course of her career, she has also been nominated for three Grammy Awards. After her 1979 tour – the only concert tour of her career before 2014 – Bush released the 1980 album Never for Ever, which made her the first British solo female artist to top the UK album charts and the first female artist ever to enter the album chart at Number 1.

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She is also the first (and to date only) female artist to have Top 5 albums in the UK charts in five successive decades. In August 2014 she became the first female performer to have eight albums in the Official UK Top 40 Albums Chart simultaneously; altogether she had 11 albums in the top 50, turning her into Top 3 Artists of All time (Elvis Presley with 12 albums in 1977, and The Beatles in 2009 with 11 albums). Bush was appointed Commander of the Most Excellent Order of the British Empire (CBE) in the 2013 New Year Honours for services to music. She received the award from Queen Elizabeth II on 10 April 2013 at Windsor Castle.

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Kate has announced a series of 22 live dates in August/September/October 2014 at London’s Eventim Apollo, Hammersmith. This venue is the Hammersmith Odeon as was, where the Tour of Life ended 35 years ago. All dates sold out on the morning of March 28th in a matter of minutes.

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KATE BUSH - The Kick Inside (1978) @320
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KATE BUSH - Lionheart (1978) @320
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KATE BUSH - Never For Ever (1980) @320
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KATE BUSH - The Dreaming (1982) @320
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KATE BUSH - Hounds Of Love (1985) @320
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KATE BUSH - The Sensual World (1989) @320
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06.09.2014. u 20:59 • 7 CommentsPrintPermalink

04.09.2014.

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CANDI STATION - Candi Staton (2004)

For far too long, mega-talent soul singer Candi Staton had been lacking a comprehensive collection of her prime Southern R&B material from her glory years, 1969-1973. While it's true that Staton's chart success continued in the disco era with "Young Hearts Run Free," from 1975, that music is in a different universe from her Muscle Shoals period, when she recorded for Fame and other labels. This compilation contains 26 tracks form those hallowed years, when Staton's deep soul tomes rang up no less than 12 consecutive Billboard R&B hits, a pair of Grammy nominations, and a gold album. Like Aretha Franklin, Linda Jones, and Otis Redding, Staton's voice is the sound of emotion being ripped from the human heart and offered, bleeding and broken, pleading and yearning, to the listener. Collected here are her stunning "I'm Just a Prisoner (Of Good Loving)," her amazing read of Redding's "That's How Strong My Love Is," the killer "I'm Another Man's Woman, Another Woman's Man," the definitive version of Tammy Wynette's "Stand by Your Man," "He Called Me Baby," "Sure as Sin," the stellar "Get It When I Want It," and the only version of "In the Ghetto" that matters. In all, while this could have easily been a double CD, all of the tracks here warrant their appearance: there isn't a mediocre one in the bunch, as evidenced further by the inclusion of "Heart on a String," "The Thanks I Get for Loving You," "Sweet Feeling," "Someone You Use," and "Love Chain," as well. Highly recommended.


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BARCLAY JAMES HARVEST - Collection 1983-1993 (2014)

In 1966 two R & B bands local to Oldham (UK) merged to form a blues outfit THE BLUES KEEPERS. With sponsorship from a local businessman (also their manager) they rented an 18th century farmhouse where they practised extensively, gradually moving towards a progressive rock style then beginning to emerge. On turning professional the name BARCLAY JAMES HARVEST was adopted, and the line-up stabilised as JOHN LEES (guitars, vocals), LES HOLROYD (bass, rhythm guitar, vocals), STUART "WOOLLY" WOLSTENHOLME (keyboards, vocals) and MEL PRITCHARD (drums). After releasing their first single in April 1968, the band joined the legendary progressive HARVEST label, quickly expanding their musical horizons, chiefly by experimenting with longer evolving song structures and orchestrations. Initially this involved the use of woodwind, strings and brass before acquiring a MELLOTRON, but by the time of the release of their first album 'Barclay James Harvest' in 1970 they were employing an orchestra, the grandly titled BARCLAY JAMES HARVEST SYMPHONY ORCHESTRA led by ROBERT GODFREY who later became a member of THE ENID.

Though producing some of their best melodic progressive work at this time, the orchestra proved to be too expensive and very nearly bankrupted the band, but in 1973 a move to the POLYDOR label saw an upturn in their fortunes. With increasing commercial success, their music began to develop towards simpler song structures with stronger arrangements which caused detractors to dub them 'The Poor Man's Moody Blues'! By 1979 WOOLLY left the band because he had become disillusioned that they had moved away from their Prog roots. They continued into the 1980s as a 3-piece augmented by hired musicians, and with a string of melodic AOR albums finally made a commercial break-through in Europe, particularly in Germany where they played several major outdoor concerts, beginning with a massive free concert on the steps of the historic Reichstag in August 1980.

By the end of the decade the band's popularity was starting to wane. In the 1990s, a traumatic court case and widening musical differences between band members took its toll. In 1998 the two songwriters HOLROYD and LEES agreed to go their separate ways while continuing to work under the umbrella of the old band name. Thus was born the two outfits which remain today: BARCLAY JAMES HARVEST FEATURING LES HOLROYD perseveres with the AOR style of their later work; while JOHN LEES' BARCLAY JAMES HARVEST (JLBJH) has returned to the more Prog orientated work of the 1970s, including working again with Woolly Wolstenholme. Sadly, MEL PRITCHARD passed away in 2004.


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04.09.2014. u 12:10 • 0 CommentsPrintPermalink

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STEVE STRONGMAN - Let Me Prove It To You (2014)

A Natural Fact was most unusual for Hamilton’s Steve Strongman and not just for winning the JUNO award. It was an acoustic album from an artist known for his electric shows. To say that news of his next disc was eagerly anticipated is a major understatement. Well, here’s the news: it will be released on May 13, it’s electric (mostly) and it’s great. The opener is a stunning rocker – “There’s Something Goin’ On” is a ‘there’s mule kickin’ in my stall’ song with a slide hook to die for and a great chorus (with Emma-Lee). “What I Believe” is a slower & heavier, with some neat little shifts and a section with harp over an acoustic slide. “Get Used To It” is mostly acoustic, again with slide and again with a good tune and Jesse O’Brien on piano. The song says you’re not going to get everything you want. It’s not the only one here about getting older, “We’re Going Out Tonight” has an old friend calling him up and wanting to go out like the old days but our narrator has a wife and kids and things to do. Again with an inventive arrangement and tune. While Strongman plays some pretty mean harp himself, he’s brought along Guy Bélanger from Montreal for “Lookin’ For Trouble”. Somewhat unusually, the song fades in as Strongman sings over his slide, the two have a dueling solo feature. The acoustic “Older” confronts the issue head on and the chorus, rather tunefully, says ‘he’s getting older but not old’- uptempo and optimistic.

TRACKS:
01. There's Something Goin' On 02. What I Believe 03. Get Used 04. We're Goin' Out Tonight 05. Let Me Prove It To You 06. It Ain't The First Time 07. Lookin' For Trouble (feat. Guy Belanger) 08. Whatever You're Doin' 09. Ain't Nobody Like You 10. Older 11. Can You Feel It?

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03.09.2014.

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SENA EHRHARDT - Live My Life (2014)

With her newest release, Live My Life, singing sensation Sena Ehrhardt continues to forge her own personal and intelligent take on the blues. Produced by Grammy-winner David Z. (Buddy Guy, Prince, Jonny Lang, Gov't Mule), the album features Sena's all-new band lineup of energetic, hard-driving, top-flight musicians. After serving as her band’s lead guitarist and songwriting collaborator through her first two releases, Sena’s father stepped aside earlier this year. With a new album and a powerful new band behind her, Sena is looking forward to winning new fans and wowing audiences throughout the country as well as internationally, as she continues to come into her own as a vocalist, songwriter and entertainer. Sena’s growing reputation as one of the most engaging and exciting young voices on the current blues scene, and the buzz about her incendiary performances at clubs and festivals, have caught the attention of roots music heavyweights. She’s been invited to open concerts for B.B. King, ZZ Top, Robert Cray, Dickey Betts, the late Johnny Winter and Gregg Allman. Live My Life further confirms Sena’s ascendance to blues elite status.


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03.09.2014. u 12:33 • 0 CommentsPrintPermalink

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CALIFORNIA BREED - California Breed (2014)

California Breed is an English-American hard rock band based in Los Angeles, California. Formed in 2013, the band is a supergroup composed of bassist and vocalist Glenn Hughes, guitarist and vocalist Andrew Watt, and drummer Jason Bonham. Following the break-up of his previous band Black Country Communion in early 2013, Hughes was introduced to Andrew Watt later in the year and the two quickly formed California Breed, along with fellow former Black Country Communion member Bonham.

Former Black Country Communion stars, singer-bassist Glenn Hughes and drummer Jason Bonham, have formed a new band, California Breed with the astoundingly talented 23-year-old singer-guitarist Andrew Watt. Glenn and Jason's impeccable resumes combined with the fact that this album was produced by Dave Cobb, whose spectacular work with Rival Sons has received so much acclaim, gives you a big clue as to what California Breed sounds like. All 12 tracks on the self-titled California Breed album have equal co-writing credits amongst the members. Recorded at Cobb's Nashville studio, 'Everything was done more or less live,' says Hughes. The end result is a sound that combines all the classic rock elements of BCC big, meat-cleaver riffs and heart-rending vocals with a 21st century gloss that comes from working with someone as up-to-the-minute and talented as Watt.

TRACKS:
01. The Way 02. Sweet Tea 03. Chemical Rain 04. Midnight Oil 05. All Falls Down 06. The Grey 07. Days They Come 08. Spit You Out 09. Strong 10. Invisible 11. Scars 12. Breathe 13. Solo (Bonus Track)

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03.09.2014. u 12:00 • 1 CommentsPrintPermalink

02.09.2014.

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JOHNNY WINTER - Step Back (2014)

‘Step Back,’ produced by Winter sideman Paul Nelson and due September 2 via Megaforce Records, is Winter’s first recording since a massive career-spanning compilation set earlier this year — and the follow up to 2011’s ‘Roots.’ “If there’s good people, other good musicians, people enjoy it. I just love it,” Winter says, in pre-release materials. “‘Step Back’ is just to bring it to the people of today who haven’t listened to the old music. It’s better than anything they hear today.” Clapton is on board for Bobby “Blue” Bland’s ‘Don’t Want No Woman.’ The Blues Brothers horns join in on a new version of Ray Charles’ ‘Unchain My Heart.’ Gibbons is featured on ‘Where Can You Be’ — a moment, he notes, that was a long time coming. “I never had the opportunity to jam with him (in the ’60s and ’70s),” Gibbons says. “I was content to remain in awe and admiration.” Dr. John honors Fats Domino with ‘Blue Monday.’ Brian Setzer of the Stray Cats is featured on ‘Okie Dokie Stomp,’ made famous by Clarence “Gatemouth” Brown. Meanwhile, Perry sits in for Lightin’ Hopkins’ ‘Mojo Hand,’ paying back a huge favor. “If it weren’t for Johnny Winter,” Perry says, “I would have never picked up the guitar.”


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02.09.2014. u 07:12 • 1 CommentsPrintPermalink

01.09.2014.

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MASTERS OF REALITY - Masters of Reality (1988) & How High the Moon- Live at the Viper Room (1997)

Led by singer/guitarist Chris Goss, Masters of Reality were something of an anomaly on the late-'80s/early-'90s rock scene, playing a strongly Cream- and Zeppelin-influenced brand of hard rock with modern touches. Their original members included bassist Googe, guitarist Tim Harrington, and drummer Vinnie Ludovico. Goss broke up the band shortly after their well-received, self-titled debut album in 1989; he reformed the group as a trio a few years later with Googe and legendary ex-Cream drummer Ginger Baker. This lineup recorded 1993's Sunrise on the Sufferbus, which slightly altered the group's sound but again received enthusiastic reviews. However, Masters of Reality never quite fit into prevailing hard rock trends, and they remained a well-kept secret to most of the listening public.


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In hindsight, their retro obsessions and warm, spacious guitar sound set a clear precedent for the '90s stoner rock movement; while the Masters' less metallic sound wouldn't have been a perfect stylistic fit, the link was reinforced by Goss' acclaimed production work on three of the four Kyuss albums. Those records helped pave the way for a new career in production for Goss, and Masters of Reality went on hiatus for several years. Goss reunited with Googe in 1997, adding guitarist Brendon McNichol and drummer Victor Indrizzo for a series of live dates that resulted in the album How High the Moon: Live at the Viper Room. An all-new studio album titled Welcome to the Western Lodge was released in Europe in 1999, but did not appear on American shores until Spitfire licensed it in early 2001. - allmusic.com

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MASTERS OF REALITY - Masters of Reality (1988) @320
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MASTERS OF REALITY - How High the Moon- Live at the Viper Room (1997) @320
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01.09.2014. u 12:13 • 1 CommentsPrintPermalink

31.08.2014.

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DICKEY BETTS & GREAT SOUTHERN - 30 Years Of Southern Rock [1978 - 2008] (2010)

Dickey Betts and Great Southern were the third highlight at the Rockpalast Festival on March 4th/5th, 1978. On those evenings, they played for the first time in Europe in front of an enthusiastic audience at the Gruga-Halle in Essen/Germany and millions of viewers on television. Dickey Betts is not unknown to those who are familiar with American rock music. He was one of the original members of the Allman Brothers Band and formed his own band Great Southern in 1976.Nowadays, Dickey Betts and Great Southern are considered to be one of the most important and influental southern rock bands of all time. A then and now collection, a live show from 1978 and on disc 2 a show from 2008.

DISC 1 - (1978):
01. Rockpalast (Intro) 02. Run Gypsy Run 03. In Memory of Elizabeth Reed 04. Good Time Feelin' 05. Dealin' with the Devil 06. Jessica 07. High Falls 08. Ramblin' Man

DISC 2 - (2008): 01. Statesboro Blues 02. Nothing You Can Do 03. Blue Sky 04. Get Away 05. One Way Out 06. Havin' a Good Time 07. In Memory of Elizabeth Reed 08. No One to Run With 09. Ramblin' Man

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30.08.2014.

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URIAH HEEP - Into The Wild (2011) & Easy Livin' (1992)

2011 release from the veteran British Heavy Rock band. Into the Wild is Uriah Heep's 23rd studio album which follows the completion of the band's 40th Anniversary Tour. The recording started in January 2010 at Liscombe Park Studios in Buckinghamshire, England. The album includes 11 brand new songs, including some epic additions to the band's huge catalog of Rock classics. Uriah Heep debuted in 1970 with the release of one of Hard Rock music's milestones Very 'eavy... Very 'umble and have since sold in excess of 30 million albums worldwide.
TRACKS:
01. Nail On The Head 02. I Can See You 03. Into The Wild 04. Money Talk 05. I'm Ready 06. Trail Of Diamonds 07. Southern Star 08. Believe 09. Lost 10. T-Bird Angel 11. Kiss Of Freedom

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Released in 1992, Ariola, Germany, compilation.
TRACKS:
01. Easy Livin' 02. The Wizard 03. Love Is Blind 04. Weekend Warriors 05. Spiderwoman 06. Love Machine 07. Gypsy 08. Look At Yourself 09. Firefly 10. Wonderworld 11. Blind Eye 12. The Magician's Birthday 13. Flying High

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29.08.2014.

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RICK WAKEMAN - Voyage: The Very Best Of (1996)

Voyage is one of the best compilations available from keyboard wizard Rick Wakeman. Not only does this two-CD set include his most acclaimed pieces, but it also gathers material that is less renowned yet equally displays his instrumental prowess. Disc one starts off with four tracks from the famed Six Wives of Henry VIII, highlighted by the progressive weight of "Catherine Howard," followed by the synthesized mysticism of "Arthur" and the electronic whimsy of "Merlin the Magician" from The Legend of King Arthur. A well-deserved 40 minutes of the second disc is drawn from Journey to the Center of the Earth, with wonderful passages from "Recollection" and "The Battle" that emphasize Wakeman's keen approach of instrumentally narrating his music. The true value of Voyage lies in the lesser-known tracks that may only be familiar to die-hard fans, but are a must to uncover. Pieces like "Judas Iscariot," "After the Ball," and "Ice Run" are fabulous inclusions to this compilation, since they represent Wakeman's ability to play gorgeous, softly toned pieces as well as massive synthesized blitzes. Additions like "Searching for Gold" and "White Rock" from the album of the same name symbolize Wakeman's gift of producing both a setting and an atmosphere through his use of the keyboard, something that was evident in his days with the Strawbs. Detailed liner notes complete this best-of set, which would make a sound entry point for anyone interested in Rick Wakeman's musical craftsmanship.

DISC 1
: 01. Catherine Of Aragon 02. Catherine Howard 03. Jane Seymour 04. Anne Boleyn 05. Arthur 06. Merlin The Magician 07. The Last Battle 08. White Rock 09. Searching For Gold 10. After The Ball 11. Ice Run 12. March Of The Gladiators 13. Summertime

DISC 2: 01. Temperament Of Mind 02. The Journey / Recollection 03. The Battle / The Forest 04. Crime Of Passion 05. Judas Iscariot 06. Hibernation 07. Free Song 08. The Maker

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MIKE BLOOMFIELD & AL KOOPER - The Live Adventures of Mike Bloomfield and Al Kooper (1968)

The Live Adventures of Mike Bloomfield and Al Kooper is a double album recorded at the Fillmore West venue, the album is a successor to the studio album Super Session which included both Bloomfield and Kooper in addition to Stephen Stills, and had achieved commercial and critical success earlier in 1968. The performances, recordings and production cannot be described as flawless; in his sleeve notes, Kooper describes the difficulties of finding rehearsal space, Bloomfield's insomnia, and the failure of a vocal microphone during "Dear Mr Fantasy"; the track "I Wonder Who" is faded during a Bloomfield solo for no apparent reason. Nevertheless, the album remains an important, if raw, document of a live blues-rock performance of the period and apart from its intrinsic qualities is notable for not only one of the earliest live recordings by Carlos Santana, but also Bloomfield's debut as a vocalist. Whilst he is not historically noted in this role, in "Don't Throw Your Love on Me So Strong", according to Kooper, "he displays consummate homage to the traditional guitar-voice trade-offs; a lesson in phrasing and understanding."

Recorded over three nights in 1968 at the Fillmore Auditorium in San Francisco, the follow-up to the acclaimed Super Session has its moments, but is mostly long on '60s noodly grooviness and lacking in focus and inspiration. It's notable (sort of) for Bloomfield's singing debut.

DISC 1:
01. Openning Speach 02. The 59Th Street Bridge Song (Feelin' Groovy) 03. I Wonder Who 04. Her Holy Modal Highness 05. The Weight 06. Marry Ann 07. Together 'til The End Of Time 08. That's All Right 09. Green Onion

DISC 2: 01. Opening Speech 02. Sonny Boy Williamson 03. No More Lonely Nights 04. Dear Mr. Fantasy 05. Don't Throw Your Love On Me So Strong 06. Finale--Refugee

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28.08.2014.

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ROY BUCHANAN - Shredding The Blues: Live At My Father's Place 1978 & 1984 (2014)

01. I'm Evil
02. Soul Dressing
03. Walkin' Talkin'
04. Baby Won't You Tell Me Where You're At
05. Hey Joe
06. The Messiah Will Come Again
07. Lonely, Lonely Nights
08. When A Guitar Plays The Blues
09. Peter Gun Blues
10. Fantasia

Shredding the Blues: Live at My Father's Place features blues guitarist Roy Buchanan performing with his band in 1978 and 1984. These are raw live recordings and, as such, do not feature pristine sound quality. Nonetheless, they still capture Buchanan's searing guitar style and laid-back vocals, all framed by an enthusiastic audience. In that sense, Live at My Father's Place offers much to enjoy for Buchanan fans. - allmusic.com

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TWICE AS MUCH - Sittin' On A Fence - The Immidiate Anthology (1999)

One of the most anonymous-sounding acts of the British Invasion, Twice as Much was the duo of Dave Skinner and Andrew Rose, harmony singers who also wrote much of their own material. Signed to the Immediate label (run by Rolling Stones manager Andrew Loog Oldham), the pair recorded several singles and a couple of albums between 1966 and 1968. Most of these recordings were innocuous, pleasantly forgettable pop affairs in the Peter & Gordon/Chad & Jeremy mold, with light orchestral pop/rock arrangements that sometimes employed a touch of the Baroque. They had their only British Top 40 success with a cover of the Stones' "Sitting on a Fence"; although the Stones' version was one of their best cuts from the Between the Buttons era, the Twice as Much interpretation seems to miss the point completely, transforming it into a chipper, quasi-vaudevillian tune without a hint of ambiguity or sullenness.

The duo's two albums are assembled together on one CD, and appended with singles that weren't on either, all in glittering sound (it took till the mid-'90s, at least, for proper sources to be assembled on the Immediate Records catalog). The first six tracks, representing single A- and B-sides, have a fair amount of appeal today as artifacts of '60s pop/rock, with "Step Out of Line," an original by the duo, probably representing their own sound best, kind of between Simon & Garfunkel and Peter & Gordon, and closer to the latter. The album cuts are a more difficult fit, ranging from Broadway tunes to covers of Beatles and other songs -- though if these guys were to have covered any Beatles tracks, the right ones were chosen in "Help!" and "We Can Work It Out," and the harmony versions of the Small Faces songs are an interesting variant on the latter, even if they won't displace the Small Faces' own renditions. There are also good covers of Phil Spector material ("Is That What I Get for Loving You Baby?") and rock classics like "Do You Wanna Dance," but their very best efforts were, in many ways, the duo's own songs, and filmmaker Peter Whitehead seems to have had the best instincts when he lifted their "Night Time Girl" from the first album for use in his documentary Tonite Let's All Make Love in London. Fans of Vashti Bunyan may also want to pick this CD up for the presence of "The Coldest Night of the Year," as the folksinging legend appeared with the duo, fully credited, on the record.


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27.08.2014.

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CHRIS SPEDDING - Just Plug Him In! (1991)

Chris Spedding is an English rock and roll and jazz guitarist, best known for his session work. AllMusic has described Spedding as – "one of the UK's most versatile session guitarists, and has had a long career on two continents that saw him tackle nearly every style of rock and roll, as well as sporadically attempting a solo career. The fact that he never quite broke through to stardom, except in his native England and parts of Europe, and in professional music circles, is more a result of bad timing and worse luck than any lack of talent or commitment on his part.

Digitally remastered edition of this 1991 live album from the British guitarist. Chris Spedding is best known for his UK hit 'Motorbikin'' as well as his versatile session guitar work for numerous artists over the past three decades. Just Plug Him In features live tracks from 1977 to 1989 and the album was lovingly compiled by Spedding himself from master tapes of various gigs over that period. The album kicks off with tracks from 1977 when he did a UK tour to promote his album Hurt then to 1981 and finally tracks recorded in New York to tracks recorded in Baltimore, Maryland in 1989.

TRACKS:
01. Gunfight 02. Walkin' 03. Catch That Train 04. Snake And Swallowtails 05. Music Breakout 06. Who's Who 07. Silver Bullet 08. Love's Made A Fool Of You 09. Motorbikin' 10. Shakin' All Over 11. Hey Miss Betty 12. Hurt 13. GuitAr Jamboree 14. Mary Lou

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BAD COMPANY - Fame And Fortune (1986)

"Fame and Fortune" was the first Bad Company record to feature Brian Howe (of Ted Nugent fame) instead of fan favorite Paul Rodgers (who left to work with the supergroup The Firm). I can understand their shock to the new direction this incarnation of the band took, but if you can get over their use of the band name and just judge the record, it ain't half bad. Brian Howe brought more to the table than just a set of tremendous pipes...he contributed heavily to the songwriting on "Fame and Fortune" and the more commercially successful releases that followed. "Fame and Fortune" finds the band adapting to its new personnel while strling to fit into the changing music scene. As result, this record has more keyboards and sax than any other Bad Company release, hence sounding more like a Survivor or Foreigner record. In fact, Foreigner producer Keith Olsen produced this record with executive production by Mick Jones. "Fame and Fortune" abandons the classic rock sound and is an unadulterated excursion into AOR territory. The songs are highly melodic, lyrically unsophisticated, and aim to please with a memorable chorus.

TRACKS:
01. Burning Up 02. This Love 03. Fame And Fortune 04. That Girl 05. Tell It Like It Is 06. Long Walk 07. Hold On My Heart 08. Valerie 09. When We Made Love 10. If I'm Sleeping

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THE FIRM - The Firm (1985) & Mean Business (1986)

The Firm were a British rock supergroup comprising former Free and Bad Company singer Paul Rodgers, guitarist Jimmy Page formerly of The Yardbirds and Led Zeppelin, and Manfred Mann's Earth Band and Uriah Heep drummer Chris Slade and bass player Tony Franklin. Page and Rodgers originally wanted former Yes drummer Bill Bruford and fretless bassist Pino Palladino in the group; however, Bruford was contracted to another label and Palladino had tour commitments with singer Paul Young.


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Both Page and Rodgers refused to play any material from their former bands and instead opted for a selection of Firm songs plus tracks from both their solo albums. The new songs were heavily infused with a soulful and more commercially accessible sound, courtesy of Franklin's fretless bass guitar underpinning an understated song structure. Despite refusing to play old material, the last track from The Firm, "Midnight Moonlight", was originally an unreleased Led Zeppelin song entitled "The Swan Song." This caused some critics to believe that Page had begun to run out of ideas. In subsequent press interviews, Page had indicated that the band was never meant to last more than two albums. After the band split, Page and Rodgers returned to solo work while Chris Slade joined AC/DC and Franklin teamed up with guitarist John Sykes in Blue Murder.

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25.08.2014.

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HELP YOURSELF - Reaffirmation: An Antology 1971-1973 (2014)

Help Yourself, known to their fans as "The Helps", were an English rock band of the early 1970's whose style developed from “American-flavoured country-rock ... to acid-drenched psych.” Help Yourself formed in London in 1970, originally as a backing band for singer-songwriter Malcolm Morley, who had left Sam Apple Pie and been signed as a solo act by Famepushers. The band was assembled by John Eichler who, as well as working for Famepushers, was production manager at Strand Cosmetics, where he hired people either for 'musical ability' or 'strangeness'. Unlike the vast majority of prog bands, Help Yourself were grounded in country-rock, blues, and folk (which includes British folk), not pop, classical, and jazz, and unlike most pub rockers, they had an expansive definition of rock & roll that stretched far beyond boogie. This elasticity is what made the band interesting, both then and now, and it's showcased on the terrific 2014 compilation Reaffirmation: An Anthology 1971-1973, a double-disc set that has the bulk of their highlights and captures all their delightfully odd quirks.


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23.08.2014.

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JOHNNY CASH - Bitter Tears - Ballads Of The American Indian (1964) & V.A. - Look Again To The Wind: Johnny Cash's Bitter Tears Revisited (2014)

With his highly personal early 1960s work, Johnny Cash had been trying the patience of the Columbia brass, who were less than thrilled with his commercial performance. When "Ring of Fire" topped the country charts in 1963, it allowed him to continue the many ambitious concept albums-history lessons close to his heart. The eight songs on 1964's Bitter Tears are sung from the point of view of the American Indian (still the accepted term in 1964), and together they form a potent work that is both deeply real and highly spiritual. With assistance from co-composer Peter LaFarge, Cash offers an earnest, solemn portrait of Native Americans that examines a variety of issues through a range of viewpoints and contained in unadorned musical settings.
TRACKS:
01. As Long as the Grass Shall Grow 02. Apache Tears 03. Custer 04. The Talking Leaves 05. The Ballad of Ira Hayes 06. Drums 07. White Girl 08. The Vanishing Race

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Of all the dozens of albums released by Johnny Cash during his nearly half-century career, 1964's "Bitter Tears: Ballads of the American Indian" is among the closest to the artist s heart. A concept album focusing on the mistreatment and marginalization of the Native American people throughout the history of the United States, its eight songs among them "The Ballad of Ira Hayes," a #3 hit single for Cash on the Billboard country chart spoke in frank and poetic language of the hardships and intolerance they endured. Now, 50 years after it was recorded, a collective of top Americana artists has come together to re-imagine and update these songs that meant so much to Cash, who died in 2003.

For "Look Again to the Wind: Johnny Cash's Bitter Tears Revisited," creative leader and album producer Joe Henry (Bonnie Raitt, Aaron Neville) realized that the "Bitter Tears" album held a special place in Cash's canon, and that in many ways the issues it raised still resonate today. This had to be apparent in the new versions he was recording for "Look Again to the Wind." The album features American music giants Kris Kirstofferson, Emmylou Harris, Steve Earle, Bill Miller, Gillian Welch and David Rawlings, and Norman Blake (the guitarist and only surviving member from the original recording sessions) as well as up-and-comers The Milk Carton Kids and Rhiannon Giddens, interpreting the music of "Bitter Tears" for a new generation. As the original album was for Cash, this new collection is a labor of love with a strong sense of purpose fueling its creation. The album was recorded in Los Angeles, Nashville and at Johnny Cash's personal recording studio, Cash Cabin in Hendersonville, TN.

TRACKS:
01. Gillian Welch - As Long As The Grass Shall Grow 02. Emmylou Harris - Apache Tears 03. Steve Earl - Custer 04. Nancy Blake - The Talking Leaves 05. Kris Kristofferson - The Ballad of Ira Hayes 06. Norman and Nancy Blake - Drums 07. Gillian Welch - Apache Tears (Reprise) 08. The Milk Carton Kids - White Girl 09. Rhiannon Giddens - The Vanishing Race 10. Gillian Welch - As Long As The Grass 11. Bill Miller - Look Again To The Wind

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TINKERBELL'S FAIRYDUST - Tinkerbell's Fairydust (1969) [2009]

The name of this late-'60s British band might unwittingly lead some collectors to believe they were another in the hordes of dainty U.K. psychedelic pop groups. However, though a few of their tracks did indeed fall into that category, for the most part they recorded equivalents to American sunshine pop. In fact, they filled out their repertoire with some close, unimaginative covers of late-'60s, lightweight, U.S. harmony pop/rock hits. The group's more psychedelic offerings attract the most interest, although there weren't too many of those to choose from since the band only issued three singles. All of them appeared on Decca in 1967-69, the highlight being the 1968, 45 rpm "Twenty Ten," a nice minor-keyed piece of harmony-laden light psych, with soft wah-wah guitars and foggy organ. The B-side of their first single, "In My Magic Garden," was slightly more middle-of-the-road psychedelia-influenced harmony pop, and not bad. In 1969, a self-titled Tinkerbells Fairydust album was assembled at Decca, and included four of the six songs that had appeared on their singles, as well as nine other tracks. Although this got as far as the test pressing stage, it never did get released. It did get issued on CD in the late 1990s, and though it does include "Twenty Ten" and "In My Magic Garden," the majority of it's a disappointment, emphasizing light harmony pop-psych numbers that make them out to be the British equivalent of American groups such as the Happenings. - allmusic.com

Arguably the most valuable UK album in record collecting history, with copies known to have sold for Ł2000! The LP was manufactured by Decca in 1969 but never issued. This is the first-ever official CD of their recordings.

TRACKS:
01. Twenty Ten 02. Marjorine 03. The Worst That Could Happen 04. In My Magic Garden 05. Never My Love 06. You Keep Me Hanging On 07. Lazy Day 08. Every Minute Every Day 09. Sheila's Back In Town 10. Jeff's Boogie 11. They Didn't Believe Me 12. Whole World 13. Happy 14. I Should Have Known 15. On The Other Hand 16. Once Again 17. Make Mine Music 18. Enjoy It 19. Walking My Baby 20. Follow Me Follow 21. Follow Me Follow (Demo) 22. Good Day

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STEVIE COCHRAN - Live At The Montreux (2009)

01. I've Got A Reason
02. Maybe It's You
03. Sometimes
04. Why Do They Kill?
05. What You Do To Me?
06. Underground Theme
07. Misunderstood
08. Headed For Trouble
09. You Amaze Me
10. Got To Have A Song
11. No Quarter
12. In One Ear - Out The Other

Excellent Live disc by this top-shelf, blues/rock axeslinger recorded @ the legendary Montreux Jazz Fest. Featuring a solid set of strong songs, soul-powered vox and first-rate, bluesy heavy guitar jams from this top-shelf, seasoned player that land deep with serious six string groove. A strong vocalist, a memorable songwriter, and an electrifying guitarist, blues-rock giant Stevie Cochran has played the Montreux Jazz Festival five times. The thirteen tracks on this album are culled from his 2003 appearance at one of the world's best-known an most prestigious music festivals.

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22.08.2014.

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THE ARTWOODS - Steady Gettin' It - The Complete Recordings 1964-67 (2014)

Back in the mid-Sixties, The Artwoods were one of the most vital, impressive R&B bands on the circuit, fronted by Art Wood (elder brother of future Faces/Rolling Stones guitarist Ronnie) and also boasting future Deep Purple organist Jon Lord, renowned drummer Keef Hartley, guitarist Derek Griffiths and bassist Malcolm Pool. Between 1964 and 1967, the band recorded seven singles, the ultra-rare EP Jazz In Jeans and a nearly as scarce LP, Art Gallery, mostly for Decca but also for Parlophone and Fontana (the last under the pseudonym St. Valentine’s Day Massacre). Their records have long been coveted by fans of 60s beat, R&B and Mod music.

Keep Lookin’ is the most comprehensive anthology of The Artwoods’ recordings to date. Alongside all of the band’s A’s and B’s, this 3-CD boasts four previously unissued early acetate recordings by the Art Wood Combo, several BBC radio sessions with unique tracks and a long-lost live recording in Denmark from that tail-end of their career. The compilation benefits from the involvement of the band’s guitarist Derek Griffiths and basisst Malcolm Pool, plus legendary blues producer Mike Vernon. The sound quality of The Artwoods’ recordings has never sounded better, due to some exemplary remastering and resourcing of some of their rarer tracks. This vital addition to the collection of any discerning Sixties fan boasts a superbly designed and annotated bumper booklet.

DISC 1 - Acetates, Singles & EP Tracks:
01. Chicago Calling - The Art Wood Combo 02. Hoochie Coochie Man - The Art Wood Combo 03. Talkin' 'bout You - The Art Wood Combo 04. Kansas City - The Art Wood Combo 05. Sweet Mary 06. If I Ever Get My Hands On You 07. Oh My Love 08. Big City 09. Goodbye Sisters 10. She Knows What To Do 11. I Take What I Want 12. I'm Looking For A Saxophonist Doubling French Horn Wearing Size 37 Boots 13. These4 Boots Are Made For Walkin' 14. A Taste Of Honey 15. Our Man Flint 16. Routine 17. I Feel Good 18. Molly Anderson's Cookery Book 19. What Shall I Do 20. In The Deep End 21. Brother Can You Spare A Dime - St. Valentine's Day Massacre 22. Al's Party - St. Valentine's Day Massacre 23. Smack Dab In The Middle - Bbc Sessions 24. Interview - Bbc Sessions 17.08.65 25. Goodbye Sisters - Bbc Sessions 17.08.65 26. She Knows What To Do - Bbc Sessions 17.08.65 27. Can You Hear Me - Bbc Sessions 10.05.66 28. Interview - Bbc Sessions 10.05.66 29. I Take What I Want - Bbc Sessions 10.05.66 30. Jump Back - Bbc Sessions 10.05.66

DISC 2 - Art Galery: 01. Can You Hear Me 02. Down In The Valley 03. Things Get Better 04. Walk On The Wild Side 05. I Keep Forgettin' 06. Keep Lookin' 07. One More Heartache 08. Work Work Work 09. Be My Lady 10. If You Gotta Make A Fool Of Somebody 11. Stop And Think It Over 12. Don't Cry No More 13. One More Heartache - Bbc Sessions 08.08.66 14. Interview - Bbc Sessions 08.08.66 15. I Feel Good - Bbc Sessions 08.08.66 16. Things Get Better - Bbc Sessions 08.08.66 17. Stop Think It Over - Bbc Sessions 16.12.66 18. In The Deep End - Bbc Sessions 16.12.66 19. What Shall I Do - Bbc Sessions 18.03.67 20. Daytripper - Bbc Sessions 18.03.67 21. Steady Getting' It - Bbc Sessions 18.03.67 22. Devil With A Blue Dress On - Good Golly Miss Molly - Bbc Sessions 18.03.67 23. In The Deep End - Bbc Sessions 18.03.67

DISC 3 - Live At Funny Park, Denmark, 1967: 01. Steady Gettin' It 02. Keep Looking 03. I Need Your Loving 04. Love Have Mercy - Bony Moronie - Love Have Mercy 05. Be My Lady 06. Day Tripper 07. How Long Blues 08. Shake 09. Tic Tac Toe 10. Song Of The Journey Man 11. Black Mountain 12. (I Can't Get No) Satisfaction

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22.08.2014. u 09:41 • 0 CommentsPrintPermalink

21.08.2014.

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JUSTIN HAYWARD - Spirits Of The Western Sky (2013)

Justin Hayward, lead guitarist and vocalist of the legendary rock band, The Moody Blues, is one of the most prolific singer-songwriters in music. Winner of four ASCAP Awards, Justin's Nights In White Satin, Tuesday Afternoon, Question, The Voice, Your Wildest Dreams and I Know You're Out There Somewhere, name just a few of his worldwide hits. Performing and recording for more than 40 years with the band, during which the group has sold more than a phenomenal 60 million albums, Justin Hayward has been a driving force in the band's success. Spirits of the Western Sky, Justin's first solo album since 1996's The View From The Hill, features his trademark vocals & guitar work on tracks such as One Day, Someday, On The Road To Love & the lead off track In Your Blue Eyes. Not to be missed are the three country & bluegrass-influenced tracks What You Resist Persists, Broken Dream & It s Cold Outside Of Your Heart. - amazon.com


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FLEETWOOD MAC - The Vaudeville Years 1968 to 1970 (1998)

Two long CDs' worth of outtakes, alternate versions, and full-length versions from the Peter Green era, most in exemplary sound quality. Although much of this is interesting, and it's occasionally very good, it resembles Peter Green's Fleetwood Mac Live at the BBC in its unevenness, both in aesthetic quality and in stylistic tone. One is struck by how much the numbers featuring Green's singing and songwriting surpass those in which the other guitarists come to the fore. When Jeremy Spencer's in charge, it means you get 1950s rock pastiches and blues satires (though he does an OK Elmore James schtick with "Talk to Me Baby" and "My Baby Is Sweeter"). These aren't without their amusing points -- there's the entire session of songs that would have made a bonus EP with Then Play On, on which Spencer does fairly humorous impressions of Alexis Korner and John Mayall -- but deathless art it's not. Green shines on a live version of "Oh Well" (everything else here, incidentally, is from the studio) and alternates of "Showbiz Blues" and "Love that Burns." There are also alternates of "Man of the World" and "The Green Manalishi," though frankly these aren't so different from the familiar renditions that they'll jar you into taking notice. Some of the cuts are nothing more than shapeless jams or instrumental tracks with ideas that sometimes got pumped up into full tunes on official albums. So it's kind of like having a high-quality, easily available bootleg of the Green-era Mac, accent on the Then Play On era. But those who like that period of Fleetwood Mac a lot will want to hear this, its luster enhanced by a 48-page booklet with an essay by Green biographer Martin Celmins.

The Vaudeville Years of Fleetwood Mac 1968 to 1970 (or just The Vaudeville Years) is an album by British blues rock band Fleetwood Mac, released in 1998. It was a compilation of outtakes and unreleased tracks from the band's early line up, none of which had previously seen the light of day officially.


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IT'S A BEAUTIFUL DAY - It's A Beautiful Day (1969) & Marrying Maiden (1970) [1998]

It's a Beautiful Day is an American band formed in San Francisco, California, in 1967, featuring vocalist Pattie Santos along with violinist David LaFlamme and his wife, Linda LaFlamme, on keyboards. David LaFlamme, a former soloist with the Utah Symphony Orchestra, had previously been in the band Orkustra, and unusually, played a five-string violin. The other members were Linda LaFlamme (keyboards), Pattie Santos (vocals), Hal Wagenet (guitar), Mitchell Holman (bass) and Val Fuentes (drums). Although they were one of the earliest and most important San Francisco bands to emerge from 1967's social phenomenon Summer of Love, the band never quite achieved the success of contemporaries such as Grateful Dead, Jefferson Airplane and Santana, with whom they had connections. The band created a unique blend of rock, jazz, folk, classical and world beat styles during the initial seven years it was officially together.


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20.08.2014.

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TEN YEARS AFTER - Positive Vibrations (1974) [Original recording remastered, 2014] & Live At Reading 1983 (2014)

Positive Vibrations is the eighth album by the English blues rock band, Ten Years After, which was released in 1974. The album peaked at #81 in the US Billboard 200 chart. There's not much happening here. By the time Positive Vibrations was released, Ten Years After had run out of gas. Leader Alvin Lee had already released two solo albums, "On the Road to Freedom" and "In Flight," and the band was simply going through the motions on this album. The band broke up following its release.
DISC 1:
01. Nowhere To Run 02. Positive Vibrations 03. Stone Me 04. Without You 05. Going Back To Birmingham 06. It’s Getting Harder 07. You’re Driving Me Crazy 08. Look Into My Life 09. Look Me Straight In The Eyes 10. I Wanted To Boogie
DISC 2: 01. Rock & Roll Music To The World (Frankfurt) 02. Once There Was A Time (Frankfurt) 03. Spoonful (Paris) 04. I’m Going Home (Paris) 05. Standing At The Station (Amsterdam) 06. Sweet Little Sixteen (Atlanta) 07. Positive Vibrations (Radio Ad 1974)

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Ten Years After, Fronted by guitarist Alvin Lee the English blues-rock band, they were most popular in the late 1960's and early 1970's. Ten Years After had eight Top 40 albums in the UK Albums Charts plus twelve albums entering the US Billboard 200 and are best known for tracks such as "I'm Going Home", "Hear Me Calling", "I'd Love to Change the World" and "Love Like a Man". The band performed a breakthrough American appearance at the legendary Woodstock festival in 1969 and their rendition of "I'm Going Home" featuring. Alvin Lee as lead singer, was featured in both the subsequent film and soundtrack album and catapulted them to star status. 'The Friday Rock Show' (unavailable for many years) sees the band reforming for what was to be a very rare and exciting performance. - amazon.com
TRACKS:
01. Love Like A Man 02. Good Morning Little Schoolgirl 03. Slow Blues In 'C' 04. Suzie Q 05. Hobbit 06. I May Be Wrong But I Won't Be Wrong Always 07. I Can't Keep From Cryin' Sometimes / Extension On One Chord 08. Going Home

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TEN YEARS AFTER - Live At Reading 1983 (2014) @320
http://www5.zippyshare.com/v/66175334/file.html

TEN YEARS AFTER - Positive Vibrations (1974) [Original recording remastered, 2014] @320
http://www78.zippyshare.com/v/96217437/file.html

20.08.2014. u 12:29 • 0 CommentsPrintPermalink

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NEAL CASAL - Leaving Traces: Songs 1994 - 2004 (2004)

This extensive 18 track, nearly 80-minute compilation is an excellent and much needed summary of the plaintive singer/songwriter's rather turbulent career. An American who is much better known in Europe, Casal's eight albums and EPs over the titular decade show glimpses of brilliance amidst material slightly less stellar. In other words, his output is inconsistent, which makes this a perfect entry point for those who haven't tuned in previously. Possessing a lovely, lilting tenor voice -- at times sounding like Squeeze's Glenn Tilbrook -- Casal is often compared to Jackson Browne and Neil Young due to introspective songs similar to the former ("Free Light of Day") and the ability to rock out when necessary with layered guitars ("Eddy & Diamonds") of the latter. There is an ease of performance here that transcends time, making these folk-country-rock songs sound effortless and natural. Even though they were recorded over a ten-year period, the album's non-chronological sequencing makes this feel like a seamless recording. The classy and thoughtfully laid-out 24-page book fills in Casal's back history, detailing his story through quotes from the artist and a meticulous track listing that includes all sidemen and lyrics to the songs. The end result is the portrait of a performer who, due to the usual bad business breaks, should be a much better-known quantity, at least in America. The album loses a little steam in its final third with a few too many ballads programmed back to back, but the songwriting and performance quality is so consistently resilient that this is a minor complaint. A second DVD included in some versions of the package features a documentary along with demos and live tracks. It further enhances this near definitive overview of an artist that has, unfortunately, fallen through the cracks. An obscure find well-worth searching out. - allmusic.com

TRACKS:
01. Free To Go 02. Maybe California 03. Real Country Dark 04. St. Cloud 05. Fremont Row 06. Eddy & Diamonds 07. Too Much To Ask 08. Oceanview 09. Just Getting By 10. All The Luck In The World 11. Reason 12. Today I'm Gonna Bleed 13. Free Light Of Day 14. Me And Queen Sylvia 15. Lucky Stars 16. Fierce Little Bird 17. It's Not Enough 18. Delaware Station

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20.08.2014. u 08:24 • 1 CommentsPrintPermalink

19.08.2014.

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DONOVAN - Troubadour: The Definitive Collection 1964-1976 (1992)

Donovan is a Scottish singer, songwriter and guitarist. He developed an eclectic and distinctive style that blended folk, jazz, pop, psychedelia, and world music (notably calypso). Emerging from the British folk scene, Donovan shot to fame in the United Kingdom in early 1965 with a series of live performances on the pop TV series, Ready Steady Go!. Having initially signed with Pye Records in 1965, he recorded a handful of singles and two albums in the folk music vein, but after signing a new contract with US CBS/Epic Records his popularity spread to other countries. After extricating himself from his original management contract, he began a long and successful collaboration with Mickie Most, one of the leading British independent record producers of the era, scoring a string of hits in the UK, the US and other countries. Donovan continued to perform and record sporadically in the 1970s and 1980s. His musical style and hippie image was scorned by critics, especially after the advent of punk rock. He withdrew from performing and recording several times during his career, but he underwent a revival in the 1990s with the emergence of the rave scene in Britain.

"Troubadour: The Definitive Collection 1964-1976" is the first CD boxed set from Scottish singer-songwriter Donovan. It was released in the US on 4 August 1992. "Troubadour: The Definitive Collection 1964-1976" was originally released as a two CD set in a long box. The long box also contained a picture booklet. In 1995, it was released again without the long box and picture booklet.


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19.08.2014. u 14:03 • 2 CommentsPrintPermalink

18.08.2014.

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JEFF BECK - Emotion & Commotion (Japan, 2010)

When Jeff Beck last ventured into the studio it was to cut 2003’s Jeff, a deliberately modernist album steeped in electronica, to which 2010’s Emotion & Commotion almost feels like a refutation. Working with producers Steve Lipson and Trevor Horn, Beck has created an old-fashioned blues-rock-cum-prog record, balancing the sweeping vistas of a 64-piece orchestra with cool jazz-funk grooves, tarted-up Screamin' Jay Hawkins covers with a pair of Jeff Buckley tunes and a gentle reading of “Somewhere Over the Rainbow.” Joss Stone sits in for two songs, including “I Put a Spell on You,” with jazz vocalist Imelda May and opera singer Olivia Safe taking lead on two others, but the focus remains on Beck, who is in a reserved, lyrical mood. Occasionally, the tempo ratchets up -- “Hammerhead,” which begins as a ‘60s riff rocker before quickly heading to Blow by Blow territory; “There’s No Other Me,” the other Stone showcase -- but Emotion & Commotion remains languid and even dreamy despite the crisp, cavernous Horn production that gives it a feeling of being trapped in 1990. All this is due to Beck, who has chosen to forgo his signature frenzied fretboard blitzkriegs and weave long phrases, his guitar rich, thick, and warm, sounding familiar yet different: he’s never sustained this level of grace for a full record, and his soulful playing cuts through the clean sheen of the production, always commanding attention even when he’s not demanding it. - allmusic.com


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18.08.2014. u 12:41 • 0 CommentsPrintPermalink

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JEFF BECK GROUP - Beck-Ola (1969) [Japan, 2014] & JEFF BECK - Blow By Blow (1975) [Japan, 2014]

After the release of their previous album Truth, by the end of 1968 drummer Micky Waller was replaced by Tony Newman, as Jeff Beck wanted to take the music in a heavier direction and he viewed Waller as more of a finesse drummer in the style of Motown. Pianist Nicky Hopkins, who had also played on Truth, was asked to join the band full-time for their work in the studio. Beck-Ola is the second and final album by The Jeff Beck Group in its original configuration, released in 1969 in the United Kingdom on Columbia Records and in the United States on Epic Records. It peaked at #15 on the Billboard 200, and at #39 on the British album chart. The album’s title puns on the name of the Rock-Ola jukebox company.
TRACKS:
01. All Shook Up 02. Spanish Boots 03. Girl From Mill Valley 04. Jailhouse Rock 05. Plynth (Water Down The Drain) 06. The Hangman's Knee 07. Rice Pudding 08. Sweet Little Angel Bonus Track 09. Throw Down A Line Bonus Track 10. All Shook Up (Early Version) Bonus Track 11. Jailhouse Rock (Early Version) Bonus Track

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Blow by Blow is the seventh album by British guitarist Jeff Beck, released on Epic Records in 1975, and recorded in October 1974. It was the first under his name alone. An instrumental album, it peaked at No. 4 on the Billboard 200 and has been certified platinum by the RIAA. After the dissolution of his power trio in the spring of 1974, Beck took time for session work with other groups. In December, a half-hearted "audition" for The Rolling Stones took place, Beck jamming blues with the band for one day, their incompatibility obvious to all, with the guitarist position vacated by Mick Taylor eventually going to ex-Jeff Beck Group bassist Ronnie Wood.
TRACKS:
01. You Know What I Mean 02. She's A Woman 03. Constipated Duck 04. Air Blower 05. Scatterbrain 06. Cause We've Ended As Lovers 07. Thelonius 08. Freeway Jam 09. Diamond Dust

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JEFF BECK GROUP - Beck-Ola (1969) [Japan, 2014] @320
http://www61.zippyshare.com/v/51084773/file.html

JEFF BECK - Blow By Blow (1975) [Japan, 2014] @320
http://www29.zippyshare.com/v/47696041/file.html

18.08.2014. u 11:20 • 0 CommentsPrintPermalink

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DOYLE BRAMHALL II - Doyle Bramhall II (1996) & Welcome (2001)

Doyle Bramhall II was raised in a home filled with the blues and rock & roll sounds that are indigenous to Texas - the state of his birth. His father, Doyle Bramhall, Sr., played drums for legendary bluesmen Lightnin' Hopkins and Freddie King and was a lifelong collaborator with childhood friends Stevie Ray Vaughan and Jimmie Vaughan. In addition to collaborating with artists such as T-Bone Burnett, Elton John, Derek Trucks, Susan Tedeschi, Gary Clark, Jr., Gregg Allman, Dr. John, Allen Toussaint, Billy Preston, Erykah Badu, Questlove and Meshell Ndegeocello, Bramhall has produced several records, including Sheryl Crow's 100 Miles from Memphis in 2011.

With Doyle Bramhall II, the bluesman continues to move deeper into soul, which isn't surprising considering that Wendy & Lisa, Prince's collaborators during the mid-'80s, produced it. While there is still a distinct bluesy bent to his guitar playing, the material is more soul-oriented and polished than before, which will initially alienate some of his contemporary blues fans. However, the album shows considerable musical invention and skill, particularly during its instrumental passages. It's just unfortunate that it loses momentum due to inconsistent songwriting.
TRACKS:
01. Song From The Grave 02. Ain't Goin' Down Slow 03. What You Gonna Do 04. Close To Me 05. True Emotion 06. Bleeding From A Scratch 07. Time 08. Part II 09. He Stole Our Love Away 10. The Reason I Live 11. They Get Together 12. Jealous Sky 13. Stay A While

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Welcome, Doyle Bramhall's third effort, continues to blur the lines between rock and blues, but he doesn't always achieve success with this tactic. Although the album opens with "Green Light Girl," a frenetic tune with lots of rockin', driving guitar riffs, the majority of the songs veer toward blues, albeit unconvincingly. "Send Some Love," an aching ballad, calls for emotion-drenched crooning, but Bramhall's vocals are a tad too cool, and "Thin Dream" attempts at bluesy stylings but is really a rock power ballad. The last cut, "Cry," finally whips up some emotion from Bramhall, but it should have been spread throughout Welcome. Even contemporary blues needs a little grit.
TRACKS:
01. Green Light Girl 02. Problem Child 03. So You Want It to Rain 04. Life 05. Helpless Man 06. Soul Shaker 07. Send Some Love 08. Smokestack 09. Last Night 10. Blame 11. Thin Dream 12. Cry

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DOYLE BRAMHALL II - Doyle Bramhall II (1996) @320
http://www24.zippyshare.com/v/79941904/file.html

DOYLE BRAMHALL II & SMOKESTACK - Welcome (2001) @320
http://www12.zippyshare.com/v/82207912/file.html

18.08.2014. u 11:14 • 0 CommentsPrintPermalink

17.08.2014.

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SANDY DENNY - No More Sad Refrains: The Anthology (2000) & Gold Dust: Live At The Royalty (1998)

Sandy Denny was perhaps was the greatest singer to come out of the British folk-rock movement of the 1960s. No More Sad Refrains is a two-CD collection of songs from her four solo albums as well as a selection from her work with Fairport Convention and the short-lived band Fotheringay. While Denny was alive critics praised her for her exquisite voice while overlooking her songwriting, which was equal to that of her fellow Fairporter, Richard Thompson. "Who Knows Where the Time Goes?" her most popular song is here, along with lesser known but still worthy compositions such as "The Pond and the Stream," "Like an Old Fashioned Waltz," and "I'm a Dreamer." One unexpected treat is the duet with Linda Peters, who later married Richard Thompson, on the Everly Brothers classic "When Will I Be Loved." The music of Sandy Denny is probably better known and more respected in 2000 than it was when she died of a brain hemorrhage caused by a fall in 1978. Like the music of Nick Drake, another great British singer-songwriter who died too young, these songs have a melancholy air that is only deepened by the knowledge of her early death.
DISC 1:
01. Fotheringay 02. Who Knows Where The Time Goes? 03. Crazy Man Michael 04. Farewell, Farewell 05. The Ballad Of Easy Rider 06. Nothing More 07. The Sea 08. The Pond And The Stream 09. Banks Of The Nile 10. Late November 11. John The Gun 12. Next Time Around 13. The North Star Grassman And The Ravens 14. When Will I Be Loved 15. Learning The Game 16. Here In Silence 17. Man Of Iron
DISC 2: 01. It'll Take A Long Time 02. Quiet Joys Of Brotherhood 03. Listen, Listen 04. The Lady 05. It Suits Me Well 06. Solo 07. Like An Old Fashioned Waltz 08. Friends 09. Carnival 10. No End 11. Stranger To Himself 12. One More Chance 13. For Shame Of Doing Wrong 14. One Way Donkey Ride 15. I'm A Dreamer 16. All Our Days 17. No More Sad Refrains

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Gold Dust: Live at the Royalty captures Sandy Denny's final concert. The show (performed on Sunday, November 27, 1977) was intended to be the first date of an 11-city tour, but it turned out to be her last show ever. It certainly wasn't the way anyone wanted Denny to leave the stage, but it remains an affecting, surprising farewell. There are familiar items, to be sure, but the concert also finds her breaking new ground and moving away from traditional folk-rock to an edgier sound. These are subtle distinctions that only hardcore fans will notice, but those fans will find Gold Dust a minor treasure.
TRACKS:
01. I Wish I Was A Fool For You (For Shame Of Doing Wrong) 02. Stranger To Himself 03. I'm A Dreamer 04. Take Me Away 05. Nothing More 06. The Sea 07. The Lady 08. Gold Dust 09. Solo 10. John The Gun 11. It'll Take A Long Time 12. Wretched Wilbur 13. Tomorrow Is A Long Time 14. The North Star Grassman 15. One More Chance 16. No More Sad Refrains 17. Who Knows Where The Time Goes

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SANDY DENNY - Gold Dust - Live At The Royalty (1998) @320
http://www58.zippyshare.com/v/80113172/file.html

SANDY DENNY - No More Sad Refrains - The Anthology (2000) @320
http://www10.zippyshare.com/v/8139179/file.html
http://www60.zippyshare.com/v/49908410/file.html

17.08.2014. u 12:24 • 0 CommentsPrintPermalink

16.08.2014.

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LOBO - The Best Of (1993)

Lobo is one of those talented artists from the Seventies that everyone has heard of, but can't place. His most famous hit was, "Me And You And A Dog Named Boo", a number one hit with a romantic breezy feel with simple chords and lyrics. "I'd Love You To Want Me" was also a big number with Robert Johnson guesting as back-up falsetto vocalist. The rest of the album is a smart selection of love songs and low key poetic verses of the typical Top 40 genre, but presented extremely well. "A Big Red Kite" is masterful in it's simplicity and mood and "A Simple Man" contains Lobo's earmarked guitar work. A special selection is "Rings", a huge 1971 hit by the group Cymarron that Lobo sings with the same magic. If you like one of the songs on this collection, you'll like them all. It's first rate seventies pop.

TRACKS:
01. Me And You And A Dog Named Boo 02. She Didn't Do Magic 03. I'm The Only One 04. California Kid And Reemo 05. A Simple Man 06. I'd Love You To Want Me 07. A Big Red Kite 08. Don't Expect Me To Be Your Friend 09. It Sure Took A Long, Long Time 10. How Can I Tell Her 11. Rock And Roll Days 12. Goodbye Is Just Another Word 13. There Ain't No Way 14. Love Me For What I Am 15. Standing At The End Of The Line 16. Rings 17. Don't Tell Me Goodnight 18. Would I Still Have You

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16.08.2014. u 18:43 • 0 CommentsPrintPermalink

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LOBO - Introducing Lobo (1971) & Of A Simple Man (1972) (1997)

Best remembered for soft-rock perennials like "Me and You and a Dog Named Boo" and "I'd Love You to Want Me," Lobo was the alias of singer/songwriter Roland Kent LaVoie. At 17 he joined the Rumors, whose ranks also included future luminaries like country-rock pioneer Gram Parsons, country-pop cut-up Jim Stafford, and noted drummer Jon Corneal. From there LaVoie attended the University of South Florida, joining the Sugar Beats and making his recorded debut on their 1964 single "What Am I Doing Here?" Although the group proved short-lived, it inaugurated a lengthy collaboration between LaVoie and bandmate Phil Gernhard, who would later produce all of Lobo's hits; together they also helmed the Jim Stafford favorites "Spiders & Snakes" and "Wildwood Weed." Stints in the Little-Known Uglies and Me & the Other Guys followed before LaVoie issued his debut solo single, "Happy Days in New York City," in 1969. Two years later, he recorded "Me and You and a Dog Named Boo"; sensing the song's hit potential -- but also wary of succumbing to one-hit-wonder novelty status -- he adopted the Lobo moniker, and after the single cracked the Top Five in the spring of 1971, many assumed the record was the product of a group and not a solo act. The album Introducing Lobo also yielded the minor hits "I'm the Only One" and "California Kid."

Whatever his original intentions, LaVoie maintained the Lobo alias for the follow-up, 1972's Of a Simple Man, and the gambit worked; the album scored his biggest chart hit, "I'd Love You to Want Me," as well as another Top Ten smash, "Don't Expect Me to Be Your Friend." With 1973's Calumet, Lobo earned three more Top 40 hits: "It Sure Took a Long, Long Time," "How Can I Tell Her," and "Standing at the End of the Line." However, outside of "Don't Tell Me Goodnight" from the 1975 LP A Cowboy Afraid of Horses, LaVoie's commercial momentum dissipated as the decade continued, and after notching a number 23 hit in 1979 with "Where Were You When I Was Falling in Love," his chart run was over. After a short stay at Elektra, in 1981 he formed his own label, Lobo Records (later rechristened Evergreen), releasing a series of little-noticed singles before retiring from performing in 1985. Lobo returned to duty in 1989 with the Taiwanese release Am I Going Crazy; his popularity in the Far East is still strong. In 1995 he signed to the Singapore-based Pony Canyon imprint for a number of new LPs, including Asian Moon, Sometimes, and You Must Remember This.

Introducing Lobo (1971):
01. Intro Me And You And A Dog Named Boo 02. The Albatross 03. We'll Make I---I Know We Will 04. A Little Different 05. Reaching Out For Someone 06. She Didn't Do Magic 07. Little Joe (They're Out To Get Ya) 08. I'm The Only One 09. We'll Be One By Two Today 10. Another Hill To Climb 11. Reprise
Of A Simple Man (1972): 12. Intro 13. There Ain't No Way 14. A Big Red Kite 15. Recycle Sally 16. Don't Expect Me To Be Your Friend 17. A Simple Man 18. I'o Love You To Want Me 19. Let Me Down Easy 20. Pee-Ro Juan Valdez Sam Quixote 21. Running Deer 22. Gypsy And The Midnight Ghost 23. Am I True To Myself

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16.08.2014. u 13:49 • 1 CommentsPrintPermalink

15.08.2014.

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BRYAN FERRY - These Foolish Things (1973) & Another Time, Another Place (1974)

Much like his contemporary David Bowie, Ferry consolidated his glam-era success with a covers album, his first full solo effort even while Roxy Music was still going full steam. Whereas Bowie on Pin-Ups focused on British beat and psych treasures, Ferry for the most part looked to America, touching on everything from Motown to the early jazz standard that gave the collection its name. Just about everyone in Roxy Music at the time helped out on the album -- notable exceptions being Andy Mackay and Brian Eno. The outrageous take on Bob Dylan's "A Hard Rain's A-Gonna Fall," with Ferry vamping over brassy female vocals, sets the tone for things from the start. All this said, many of the covers aim for an elegant late-night feeling not far off from the well-sculpted Ferry persona of the '80s and beyond, though perhaps a touch less bloodless and moody in comparison. In terms of sheer selection alone, meanwhile, Ferry's taste is downright impeccable. There's Leiber & Stoller via Elvis' "Baby I Don't Care," Lesley Gore's "It's My Party" (with narrative gender unchanged!), Smokey Robinson and the Miracles' "The Tracks of My Tears," and more, all treated with affection without undue reverence, a great combination. Ferry's U.K. background isn't entirely ignored, though, thanks to two of the album's best efforts -- the Beatles' "You Won't See Me" and the Stones' "Sympathy for the Devil." Throughout Ferry's instantly recognizable croon carries everything to a tee, and the overall mood is playful and celebratory. Wrapping up with a grand take on "These Foolish Things" itself, this album is one of the best of its kind by any artist.
TRACKS:
01. A Hard Rain's A-Gonna Fall 02. River Of Salt 03. Don't Ever Change 04. Piece Of My Heart 05. Baby I Don't Care 06. It's My Party 07. Don't Worry Baby 08. Sympathy For The Devil 09. The Tracks Of My Tears 10. You Won't See Me 11. I Love How You Love Me 12. Loving You Is Sweeter Than Ever 13. These Foolish Things

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Another Time, Another Place was Bryan Ferry's second studio album as a solo artist. The album reached #4 in the UK charts in 1974. Like Ferry's previous solo album, it consisted mainly of covers, with this time the exception of the last song, which gave its title to the album and was written by Ferry. Like These Foolish Things, Another Time, Another Place is essentially a cover album, featuring a Bob Dylan song ("A Hard Rain's a-Gonna Fall" on the former LP, "It Ain't Me Babe" on the latter) and a standard (the title track of These Foolish Things, "Smoke Gets in Your Eyes" on Another Time, Another Place) but while These Foolish Things emphasized an early-'60s girl-group repertoire, Another Time, Another Place turned to soul music (Sam Cooke, Ike & Tina Turner) and country music (Kris Kristofferson, Willie Nelson, Joe South).
TRACKS:
01. The In Crowd 02. Smoke Gets In Your Eyes 03. Walk A Mile In My Shoes 04. Funny How Time Slips Away 05. You Are My Sunshine 06. What A Wonderful World 07. It Ain't Me Babe 08. Finger Poppin' 09. Help Me Make It Through The Night 10. Another Time Another Place

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BRYAN FERRY - These Foolish Things (1973) @320
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BRYAN FERRY - Another Time, Another Place (1974) @320
http://www4.zippyshare.com/v/58393424/file.html

15.08.2014. u 10:16 • 0 CommentsPrintPermalink

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DAVID BOWIE & FRIENDS - Birthday Celebration: Live In NYC (2011)

David Bowie and a star-studded cast of special guests gather at New York City’s fabled Madison Square Garden to celebrate Bowie’s 50th birthday. In keeping with Bowie’s longstanding artistic independence, this is far more than a standard tribute event: Bowie puts on an amazing, full-scale show with his tight-knit, hard-driving, highly sophisticated band, taking a fascinating trip through a big slice of his catalog. Beloved songs from all Bowie periods get compelling interpretations including "Space Oddity," "Little Wonder," "Seven Years In Tibet," "The Man Who Sold the World," "Under Pressure," and "All The Young Dudes" among many others. And then there are the guests: the Pixies’ Frank Black, the entire Foo Fighters joining Bowie’s band for "Hallo Spaceboy," the Cure’s Robert Smith, Sonic Youth, and the Smashing Pumpkins’ Billy Corgan. Plus a major set with Lou Reed, in many ways the concert’s centerpiece, with Bowie and Reed covering songs from both camps and seeming to have a fantastic time doing it. A thrilling celebration, by and for one of our greatest living artists!


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15.08.2014. u 10:14 • 0 CommentsPrintPermalink

14.08.2014.

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ROBIN TROWER - Original Album Series (2014)

Throughout his long and winding solo career, guitarist Robin Trower has had to endure countless comparisons to Jimi Hendrix, due to his uncanny ability to channel Hendrix's bluesy/psychedelic, Fender Strat-fueled playing style. Born on March 9, 1945, in Catford, England, Trower spent the early '60s playing guitar in various London based outfits; the most successful one being the R&B group the Paramounts, who specialized mostly in covers, but managed to issue several singles between 1963 and 1965. It wasn't until 1967 that Trower received his big break however, when he joined Procol Harum. The group had just scored a worldwide smash hit with "A Whiter Shade of Pale," but the only problem was that the band's leader, singer/pianist Gary Brooker, didn't have a proper band to back him. Brooker was previously a bandmate of Trower's in the Paramounts, and offered the guitar slot in his new fast-rising project to his old friend. As a result, Trower appeared on such Procol Harum classics as 1967's Procol Harum, 1968's Shine on Brightly, 1969's A Salty Dog, 1970's Home (which spawned the popular Trower tune "Whiskey Train"), and 1971's Broken Barricades.

UK five CD box set containing a quintet of original albums packaged in mini LP sleeves and housed in a slipcase. Original Album Series buy CD music This set from the Rock guitar veteran includes the albums Twice Removed From Yesterday, Bridge Of Sighs, For Earth Below, Live and Long Misty Days.


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14.08.2014. u 12:20 • 0 CommentsPrintPermalink

13.08.2014.

...mp3-320kbps CBR, scans, info...........................................................................................................Password:zinhof

MAGNUM - On The 13th Day (2012) & Escape From The Shadow Garden (2014) thumbupthumbupthumbup

Magnum are a British rock band from Birmingham, England. Formed as a four piece by Tony Clarkin (guitar, songwriter), Bob Catley (vocals), Kex Gorin (drums) and Bob Doyle (bass) in order to appear as the resident band at The Rum Runner night club in Birmingham. Magnum have undergone several changes in personnel over the years; however, the core of Catley and Clarkin remain. Magnum's most notable success during their early years was Chase the Dragon in 1982, which reached #17 in the UK Albums Chart, and included several songs that would be mainstays of the band's live set, notably "Soldier of The Line," "Sacred Hour" and "The Spirit".

On the 13th Day is the 16th studio album from the rock group Magnum (including Keeping the Nite Light Burning and ignoring Evolution), which was released in September 2012, under the label of Steamhammer Records/SPV. The album entered the charts at number 3 in the UK Rock & Metal Charts, number 5 in the UK Indie Charts, number 28 in the German Album Charts, #36 Swedish Album Charts, #43 UK Album Charts during its first week, making it their most successful album since their reformation in 2002 at the time of its release.

DISC 1:
01. All The Dreamers 02. Blood Red Laughter 03. Didn't Like You Anyway 04. On The 13Th Day 05. So Let It Rain 06. Dance Of The Black Tattoo 07. Shadow Town 08. Putting Things In Place 09. Broken Promises 10. See How They Fall 11. From Within
DISC 2: 01. Those Were The Days 02. Eyes Like Fire 03. Blood Red Laughter 04. We All Need To Be Loved 05. Shadow Town 06. The Moon King

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Only a month after the release of its predecessor, On The 13th Day, Tony Clarkin started with the preparations for Escape From The Shadow Garden as always an exciting phase in his life. Before you havent recorded and mixed every single note, you never really know whether youll be happy with the result. When I heard the final version of the eleven new songs with their different stories and diverse arrangements, I knew it had turned into an impressive and complete album. Together with the great cover artwork designed by Rodney Matthews (Asia, Nazareth, Eloy), this is a release which forges an arch to the early days of Magnums career. And thats wonderful! The limited edition Digi Pack CD comes with a bonus DVD. DVD Bonus Features Recorded Over Six Nights In Europe Live Footage (Black Skies - Freedom Day - All My Bridges - On A Storyteller s Night) Extras (On tour Footage) (Too Many Clowns - Dance Of The Black Tattoo)

DISC 1 - Escape From The Shadow Garden:
01. Live ‘Til You Die 02. Unwritten Sacrifice 03. Falling For The Big Plan 04. Crying In The Rain 05. Too Many Clowns 06. Midnight Angel 07. The Art Of Compromise 08. Don’t Fall Asleep 09. Wisdom’s Had Its Day 10. Burning River 11. The Valley Of Tears
DISC 2 - Evolution: 01. That Holy Touch (Remix) 02. Just Like January (Remix) 03. Brand New Morning (Remix) 04. Immigrant Son (Remix) 05. When We Were Younger (Remix) 06. Out Of The Shadows (Remix) 07. All My Bridges (Remix) 08. Blood On Your Barbed Wire Thorns (Remix) 09. The Visitation 10. Wild Angels 11. The Fall (New Song) 12. Do You Know Who You Are? (New Song)

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MAGNUM - On The 13th Day (2012) @320
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MAGNUM - Escape From The Shadow Garden (2014) @320
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13.08.2014. u 12:39 • 0 CommentsPrintPermalink

12.08.2014.

...mp3-320kbps CBR, scans, info...........................................................................................................Password:zinhof
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PAUL GILBERT - Stone Pushing Uphill Man (2014) thumbup

Paul Gilbert s new record Stone Pushing Uphill Man is a guitar oriented instrumental record on which Paul covers a group of his favorite songs, originally recorded by some of the world s best vocalists. Paul uses his guitar like a voice to convey a wide range of emotions, while retaining his signature cutting edge solo work which should more than satisfy his legion of loyal guitar fans. Starting his career with Shrapnel Records as a teenager in the late 80 s, Paul Gilbert has remained one of the most active guitarists from the original shred guitar scene, stemming from his multifaceted talent and long range career. With Platinum success including a number one song with Mr. Big, and cult status as founding member of the legendary and highly successful underground progressive metal band Racer X, Gilbert s sales draw from more than 20 albums and more than 20 years as a recordings artist and touring musician. Paul has toured on the legendary G3 tour in support of Joe Satriani and once again confirmed to a younger audience what Gilbert fans have known for over 20 years: that Paul Gilbert is simply one of the greatest guitar players on the planet today. Gilbert s profile as a music educator, instructional video performer, and international guitar clinician, and guitar designer continue to keep his visibility high. - amazon.com

TRACKS:
01. Working for the Weekend (Loverboy) 02. Back in The Saddle (Aerosmith) 03. I Got The Feelin' (James Brown) 04. Goodbye Yellow Brick Road (Elton John) 05. Why Can't We Do It The Road (The Beatles) 06. Shock Absorber 07. Purple Without All The Red 08. Murder By Numbers (The Police) 09. My Girl (Eric Carmen) 10. Wash Me Clean (K.D. Lang) 11. Stone Pushing Uphill Man

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12.08.2014. u 12:04 • 1 CommentsPrintPermalink

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HONEYBUS - Story (1970) [Japan, 2006]

Honeybus were a 1960s pop group formed in April 1967, in London. They were best known for their 1968 UK Top 10 hit single, "I Can't Let Maggie Go". Material was written mainly by the band's main resident composers, Dello and Cane, although Hare and Kircher also contributed songs. The group's supporters and critics, amongst them Kenny Everett, compared the band's sound to that of the Rubber Soul era of Beatles. Honeybus had a major hit with 1968's "I Can't Let Maggie Go", which was so popular that it earned the band a cover photo on the popular music magazine, Disc and Music Echo, for which they posed atop a red London bus. "I Can't Let Maggie Go" reached Number 8 in the UK Singles Chart, in April 1968, staying in the Top 40 for over two months. Chances of future success were not helped when Dello resigned in August 1968. The band drafted in Jim Kelly to replace Dello on guitar and vocals, and Cane began songwriting and performing lead vocals.

This line-up scored a minor success with "She Sold Blackpool Rock" and a follow-up single to "Maggie", "Girl Of Independent Means", but the group never really recovered. Kircher was next to leave the band, in the summer of 1969, and went on tour with Engelbert Humperdinck. He was replaced by drummer Lloyd Courtney for the remainder of the sessions for their debut album, but Honeybus eventually disbanded late in 1969. The posthumous 1970 album Story, without an active band to promote it, failed to chart. Since their heyday, Honeybus have found themselves pigeonholed as one-hit wonders.

TRACKS:
01. Story 02. Black Mourning Band 03. Scarlet Lady 04. Fresher Than The Sweetness 05. He Was Columbus 06. Ceilings No.1 07. Under The Silent Tree 08. She's Out There 09. She Said Yes 10. Remember Caroline 11. How Long 12. Ceilings No.2 13. Delighted To See You 14. Breaking Up Scene 15. (Do I Figure) In Your Life 16. Throw My Love Away 17. I Can Let Maggie Go 18. Tender Are The Ashes 19. Girl Of Indepedant Means 20. How Long (Sigle Version) 21. She Sold Blackpool Rock 22. Would You Believe 23. Right To Choose 24. She Is The Female To My Soul 25. For Where Have You Been

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12.08.2014. u 12:01 • 0 CommentsPrintPermalink

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GEORGE HARRISON - Songs For Patti (1970)

Patricia Anne "Pattie" Boyd is a model, photographer and author from the United Kingdom. She was the first wife of both George Harrison and Eric Clapton. In August 2007, she published her autobiography Wonderful Tonight. Her photographs of Harrison and Clapton, titled Through the Eye of a Muse have been exhibited in Dublin, Sydney, Toronto, Moscow, London and throughout the United States.

This is the acetate of an early mix & instrumental tracks from ATMP. Great sound taken right off the acetates without the de-clicking and de-popping on the other titles. Some of the "alternate" mixes are awfully close to the official versions, but still some great moments. "I Live For You" is simply beautiful, and the "What Is Life" jam is an air-guitar classic! Some tracks are from acetates and are "poppy". All tracks recorded between May and August 1970.

TRACKS:
01. Intro 02. Wah-Wah (take 3 - Instrumental) 03. My Sweet Lord (minus guitar and backing vocals) 04. Art Of Dying (Take 9) 05. If Not For You 06. Behind The Locked Door 07. Let It Down 08. All Things Must Pass (suddenly stops) 09. All Things Must Pass 10. Down To The River 11. Wah-Wah (take 3 - Instrumental with some overdubs) 12. Let It Roll (Instrumental)
13. Awaiting On You All (Take 26 - Instrumental) 14. Brian's Favourite (Instrumental) 15. What Is Life (Instrumental) 16. All Things Must Pass 17. Behind The Locked Door 18. I Live For You (Take 43) 19. I Live For You (Take 44) 20. Apple Jam (An abbreviated version of "Plug Me In")

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12.08.2014. u 11:58 • 2 CommentsPrintPermalink

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